OMEGA Goes for Gold With a new Seamaster Aqua Terra Tokyo 2020
Known as the ultimate prize at the Olympic Games, a gold medal represents the greatest accomplishment of an athlete’s career. In tribute to that iconic sporting honour, the Swiss watchmaker OMEGA has crafted two unique timepieces, each dedicated to the Olympic Games Tokyo 2020, and made in full 18K yellow gold.
OMEGA has been the Official Timekeeper of the Olympic Games since 1932, and will serve in the role for the 29th time when the prestigious event begins this July in Japan. If anybody knows about the precision, excellence and commitment required to stand at the top of the Olympic Games podium – it’s OMEGA!
The new Seamaster Aqua Terra watches are offered in 38 mm or 41 mm sizes, and both stand out for their radiant yellow gold cases. As always, OMEGA has used 18K gold, considered to be the premium standard in watch and jewellery making, with its superb balance between purity and practicality.
Presented on blue leather straps, the watches are also notable for their polished blue ceramic dials, which have been laser-engraved with a pattern inspired by the Tokyo 2020 Olympic Games emblem. The full emblem can also be found transferred on the casebacks, while inside, each timepiece is driven by a Co-Axial Master Chronometer calibre, guaranteeing the Swiss industry’s highest standard of precision, performance and magnetic resistance.
Appropriately, one of the first people to wear this new watch on their wrist is Michael Phelps – the most decorated Olympian in history with 28 Olympic Games medals, including 23 gold. Michael has been a part of the OMEGA brand family since 2004, and has always known about the importance of time for an athlete.
He says, “If you’re an Olympian, or trying to become an Olympian, it’s a 24-hour, 7 day a week job. It’s non-stop. It’s around-the-clock.” And he knows exactly what it takes to achieve that coveted gold medal, saying, “To really be prepared for an Olympic Games, you have to put in the work. You have to go through the struggle. For the journey I went five times, it was never easy, but I know the work that I was doing gave me the results that I deserved.”
The new Seamaster Aqua Terra Tokyo 2020 Gold Editions come with OMEGA’s full 5-year warranty and are delivered to customers inside a special presentation box.
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Four new versions have just been added to the MP-09 “Manufacture Piece” collection, opening the way for coloured 3D Carbon and its Tourbillon Bi-Axis.
” Hublot is, by its nature, a manufacture. We are always acquiring new know-how, and mastering new materials and new technologies. Our engineers come up with the concepts, our designers run with them, and our watchmakers build and produce them. It’s collective work by a team that sets itself no limitations. That is what brought these new MP-09 models into being. These four editions in blue, red, yellow and green, which are each limited to eight pieces, represent one of the highest technological peaks we have reached. Once again, we have pushed back the limits for carbon and tourbillon technology.” – Ricardo Guadalupe, CEO HUBLOT
Hublot’s “MP” (Manufacture Piece) represents the spirit of the house… taken to its extremes. These extraordinary creations, which are off the beaten track, are a fusion between technology and aesthetics to form a unique and inseparable whole. It is no longer a matter of form and substance—the form is the substance and the reverse is also true.
MP-09 embodies this vision with a key word: integration. Firstly, that of the case and its queen of complications—the Tourbillon Bi-Axis. The whole challenge of the piece was to create a case with a totally unique shape, all made from curves and corners on two different planes, to present the Tourbillon in a singular way.
Then, the integration of all of Hublot’s expertise. As a 100% integrated manufacture, which masters the conception, design, production and assembly of every one of its creations, Hublot can demonstrate all of its creative independence, embodied in the MP-09.
After the three initial versions in titanium, King Gold and black 3D carbon, Hublot is continuing the adventure of the MP-09 with not one, but four new versions. What they all have in common is a new 3D carbon case in colour. Every word in this description counts: “new”, because of the conception, but above all the method, because machining a case made from a multi-layer composite, such as carbon, is nothing like machining a case made from titanium or gold, which are homogeneous metals. Not to mention, new plans, new tools and new finishings: the MP-09 has a truly ultra-high-tech chassis.
“3D Carbon” is a material that nobody masters like Hublot, which is capable of sculpting it to form curves, angles and inclined planes of a rare complexity, whilst always guaranteeing its water resistance and durability. Carbon also offers the new MP-09 a significant weight saving, accentuating the sensation of a piece with an extreme look and a unique complication… that is as light as a feather on your wrist.
Finally, “colour”, which is what sets this new MP-09 family apart. It comes in a choice of four: yellow, blue, green and red. Four radically different approaches, with solution-dyed 3D carbon cases that have matching structured rubber straps, hands and hour markers. Sporty, stealthy or flashy, there is one for every taste, but not for everybody: only eight numbered pieces will be made of each version.
The new Hublot MP-09Tourbillon Bi-Axis beats to the rhythm of the HUB9009.H1.RA manual-winding, mechanical calibre with a 5-day power reserve. It is equipped with a bi-axial tourbillon with a full rotation every minute for the first axis and a second rotation every 30 seconds for the second axis. It is this hypnotic and unique double rotation that guided the conception of this inclined case, which shows the tourbillon at 6 o’clock, as part of a new colour, 3D carbon architecture, with the middle and back cover in titanium, as well as a double anti-reflective sapphire glass.
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Jaeger-LeCoultre presents the Reverso One Cordonnet Jewellery – Shining the spotlight on the exceptional gem-setting skills of the atelier des Métiers Rares®
When the Reverso was born in 1931, the feminine appeal of its elegant Art Deco lines became immediately apparent and new versions of the design were soon created, especially for women. Over the decades since then, Jaeger-LeCoultre has continued to explore the Reverso’s feminine side, uniting the codes of fine watchmaking with the decorative crafts.
As a canvas for artistic expression, the double-sided case of the Reverso is unique in watchmaking, providing an opportunity for the artisans of Jaeger-LeCoultre’s Atelier des Métiers Rares® (Rare Handcrafts™ workshop) to unleash their skills in the decorative arts.
For the Reverso One Cordonnet Jewellery, La Grande Maison unites the talents of its gem-setters with its mastery of watchmaking complications, bringing a new and exuberantly feminine expression of glamour to the Reverso collection.
Jaeger-LeCoultre featured the cordonnet bracelet (the word means ‘fine braid’) on several women’s watches during the 1930s. This simple black cord – the ‘little black dress’ of watch bracelets – epitomised the refined elegance of the Art Deco period, and perhaps never more so than when paired with the Reverso for the first time, in 1933.
For 2021, the Reverso One Cordonnet Jewellery reinterprets this exquisite pairing in radiant style, transforming the simple cord bracelet into a supple braid of gold and diamonds and uniting it with a fully diamond-set Duetto case.
Designed especially for women, the double-sided Duetto offers two dials, each with a different expression of the time. The ingenuity of the movement – the manually-wound Jaeger-LeCoultre Calibre 844 – lies in its ability to turn the hands simultaneously in opposite directions on each dial.
The front dial of the Reverso One Cordonnet Jewellery is constructed of multiple layers: fine golden Arabic numerals are applied to a white mother-of-pearl base and framed by diamond-set brackets; in the centre, framed by a fine filet of gold, a geometric cut-out reveals a glittering field of pavé-set diamonds. The reverse-side dial offers a rich contrast: set onto a background of onyx, diamond-set golden ‘sunbeams’ radiate out from the centre to form the hour markers.
The entire case and bracelet attachment, the bracelet itself and both dials are fully set with diamonds, while the winding crown is adorned with a reverse-set diamond. (1,104 diamonds for a total of 7.84 carats). For the case, Jaeger-LeCoultre chose the grain-setting technique, whereby the diamonds are held in place by beads of gold so tiny that they are almost invisible, keeping the stones very close together, so that the watch case appears to be encrusted in a solid mass of diamonds.
Conceived as an ode to 21st-Century femininity, the new Reverso One Cordonnet Jewellery attests to the horological savoir-faire, artistic craftsmanship and jewellery-making skills of La Grande Maison, while paying homage to the women who inspire Jaeger-LeCoultre every day.
REVERSO ONE CORDONNET JEWELLERY
Case material: pink gold fully set with diamonds
Case dimensions: 36.3 x 18mm
Movement: Jaeger-LeCoultre Calibre 844 – manually wound with 38-hour power reserve
Functions: Hours and minutes (indicating the same time on both dials)
Front dial: Mother-of-pearl, diamonds, applied numerals
Client-First Service Expansion to Singapore and Australia
• Vacheron Constantin meets client expectations in Hong Kong SAR, China, Singapore and Australia with the launch of customer advisor supported phone sales, starting July 2021.
• This comes after successful launches in the United States, Europe, Japan and China.
Geneva, July 2021 – Vacheron Constantin, the world’s longest continuously operating watch manufacture will now offer phone sales service to APAC region starting July 2021.
Clients from Hong Kong SAR, China, Singapore and Australia will now have the opportunity to select and purchase their timepiece of choice from those styles currently available on Vacheron Constantin’s website, www.vacheron-constantin.com. In a centralized effort, timepieces on the Maison’s website are available for sale over the phone, with a specific tab indicating the number to call to place orders.
Service-first customer advisors are now available to guide clients in their choices, answer questions, and facilitate a comfortable and easy purchasing journey. Once the phone order has been confirmed, c lients c an choose to pick up at a nearby boutique or complimentary shipping with turnaround times ranging between one and three days for Hong Kong and Singapore, and four to eight days for Australia.
Ever-focused on providing clients the services they deserve, Vacheron Constantin will also propose express delivery to clients in Singapore and Hong Kong. If the phone order is confirmed before noon on a weekday, the delivery will be scheduled on the same day, during the afternoon.
“It is part of Vacheron Constantin’s mission to offer a superior service to its clientele of connoisseurs, thanks to our concierge team and boutique sales associates who are now available over the phone or in-person. We are therefore delighted to be introducing new ways to purchase a Vacheron Constantin timepiece to APAC region”, says Laurent Perves, Vacheron Constantin Chief Marketing Officer.
https://www.myluxepoint.com/wp-content/uploads/2021/07/vac-fiftysix-cc-sepia-4000e-000r-b065.jpg10001334Nico Nicohttps://www.myluxepoint.com/wp-content/uploads/2017/03/logo2v.pngNico Nico2021-07-08 02:58:202021-07-08 11:31:42Vacheron Constantin - Client-First Service Expansion to Singapore and Australia
Vacheron Constantin – New Flagship in New York City
Vacheron Constantin opens North American Flagship in New York City
The new two-story Boutique celebrates the long-standing relationship between the Maison and America since 1831
Client-first experiences include in-house watchmaker, strap customization, interactive digital archives, rotating exhibition space, and the first ever permanent “Les Collectionneurs” vintage offer.
New York, June 2021 – Vacheron Constantin, the luxury Swiss watchmaking Maison with over two hundred and sixty-five years of expertise, is delighted to announce the opening of its North American Flagship in the heart of New York City, at 28 East 57th Street. The boutique pays tribute to the Maison’s deep roots in the United States and commitment to outstanding client service.
“The new Vacheron Constantin Flagship in North America celebrates the relationship between our Maison and America that has existed since 1831. Engaging with the creative spirit of America and its many diverse cultures, Vacheron Constantin is ready to make 28 E 57th Street its new North American home. This Flagship exemplifies Vacheron Constantin’s dedication to excellence and our motto, Do Better if Possible, and That is Always Possible.” – Louis Ferla, Chief Executive Officer, Vacheron Constantin
A 190 year love story with New York
The selection of New York for the location of Vacheron Constantin’s North American Flagship carries powerful symbolism for the Maison. In 1831, Jacques Barthélémi Vacheron wrote a letter stating his intent to expand business to the United States, and in 1832 the company established its first agent in New York. By the twentieth century, Vacheron Constantin timepieces could be found on the wrists of eminent Americans from members of the Rockefeller family, Henry and William James, automobile manufacture James Ward Packard, and actors Marlon Brando and Elizabeth Taylor to name a few. Of the many innovative and historically important Vacheron Constantin timepieces, special references inspired by American clients include one of the first large wristwatches for aviators, a series of pocket watches for the U.S. Corps of Engineers during WWI, and just a few years later, the cushion-shaped “American 1921”, a classic yet daring tilted-dial design created for the American market. This iconic timepiece celebrates its 100th Anniversary in 2021 and is the focus of the New York Flagship opening exhibition.
Located between Madison and Park Avenue, the new Vacheron Constantin Flagship spans over 4,500 square feet and covers two floors. A distinctive glass façade opens directly onto 57th Street and features a sleek brass-toned design in the shape of the Maison’s emblem, the Maltese Cross. The transparent glass invites collectors and visitors into a discovery of the Maison’s creativity and fine craftsmanship in a harmonious old-meets-new environment fitting the spirit of Vacheron Constantin’s contemporary watchmaking.
Upon entering, visitors are greeted by an atrium filled with natural light and a double floor height. A striking blue straw marquetry wall with Maltese cross motif creates a focal point that conveys Vacheron Constantin’s dedication to high watchmaking artistry. To the left, an open discovery table welcomes watch collectors and visitors alike to discover beautiful crafts and techniques amongst an assortment of Métiers d’art timepieces.
A large eye-catching screen offers an immersive tour through the history of Vacheron Constantin in the United States via an exclusive interactive experience: the “Chronogram”. Developed in partnership with the Swiss Federal Institute of Technology in Lausanne (EPFL), Chronogram is an innovative tool that uses emerging technologies to digitize Vacheron Constantin’s exceptional body of archives accumulated since 1755, shared with the public for live exploration of the Maison’s heritage.
In-house watchmaker, rotating exhibitions and family-friendly accommodations
A dedicated area within the first floor displays the restoration capabilities of the Maison and rotating exhibitions of historic timepieces from the Vacheron Constantin private heritage collection in Geneva. In a striking design, visitors are met with a sweeping staircase animated with bronze vertical columns inspired by 19th century architecture. As a demonstration of the Maison’s commitment to client-centered service, the second floor opens to an expansive watchmaking bench intended to encourage interaction with an in-house watchmaker as well as a custom strap station presenting both engraving and embossing customization options. A VIP Lounge encourages lingering and a family-friendly bar upstairs is equipped with games and refreshments that truly embody Vacheron Constantin’s dedication to clients.
A window into Vacheron Constantin’s collections
The new Flagship houses the complete Vacheron Constantin timepiece collection from simple to high complications, as well as boutique exclusive models, the first permanent “Les Collectionneurs” vintage watch offering, and a rotating Les Cabinotiers assortment. The newly unveiled American 1921 Pièce Unique re-creation timepiece will also be presented for the occasion of the Flagship opening.
Chosen with patience and talent by the Maison’s heritage department specialists, “Les Collectionneurs” curated collection of vintage Vacheron Constantin watches from the 20th century have been restored and are offered with the same warranty given to contemporary collections. Previously only available at dedicated annual events in Vacheron Constantin boutiques around the world, a rare assortment will be featured in the North American Flagship as the world’s first “Les Collectionneurs” permanent boutique offering.
Les Cabinotiers, Vacheron Constantin’s approach to single-piece editions, showcases the Maison’s amazing wealth of creative and engineering talent. The department of Les Cabinotiers combines excellence and dedication with a group of master watchmaking professionals who use their wide-ranging scientific knowledge in the latest technical breakthroughs and 18th century watchmaking crafts to perpetuate Vacheron Constantin’s tradition of innovation. Creating both bespoke timepieces on demand from clients as well as timepieces conceived by Vacheron Constantin master watchmakers, Les Cabinotiers translate dreams into reality in mechanical and artistic terms and consistently push the boundaries of what is possible in watchmaking today.
A One of a Kind American 1921
To mark the 100th anniversary of the American 1921 watch, Vacheron Constantin has delved into its archives and its horological expertise to offer a faithful reproduction of the American 1921 original timepiece, emblematic of an era. Stemming from an impressive technical feat and epic human saga pushing the limits of fine craftsmanship, the creation of the American 1921 Pièce Unique watch mobilizes the remarkable expertise of the Maison’s Restoration workshop and Heritage department for an entire year. This approach might be a first in the watch industry, reflecting Vacheron Constantin’s commitment to the conservation, transmission and continuous enrichment of its heritage and skills.
Inspiration from American Art
In homage to great American art, display windows on 57th Street and the boutique’s first floor exhibition area will be fully encompassed during the opening by a dream-like bronze city including a car and track installation inspired by the masterpiece, Metropolis II (2010), by American artist Chris Burden (1946-2015). From his action-based works in the 1970s that focused on his own body and the relationship of the viewer to it, to the technical feats of his later sculptures that intervened in spaces, artist Chris Burden consistently challenged limitations. By doing so, he reflected on the surreal realities of contemporary life and invited the viewer to join in these contemplations. Vacheron Constantin and Chris Burden’s work share a commitment to craft, and an exploration of the beauty found in scientific exploration. The installation on view pays tribute to a cosmopolitan love of movement and “the idea of a city”. This is the Chris Burden Estate’s historic first ever brand collaboration.
28 East 57th Street
New York, NY 10022
Monday – Saturday: 10am to 6pm
Sunday: 12 to 6pm
https://www.myluxepoint.com/wp-content/uploads/2021/06/vac-nyc-flagship-night-2.jpg5631000Maria Ghttps://www.myluxepoint.com/wp-content/uploads/2017/03/logo2v.pngMaria G2021-06-22 16:58:232021-06-22 20:11:08Vacheron Constantin - New Flagship in New York City
Vacheron Constantin | “Les Collectionneurs” London, 8th June – 8th August, 2021
Eleven vintage watches spanning the 20th century;
London, from 8th June to 8th August 2021
Models sourced by Vacheron Constantin’s experts, then restored and delivered with a digital certification of authenticity with Blockchain technology and a two-year guarantee.
Chosen with patience and talent by the Maison’s heritage department specialists, vintage watches covering the 20th century are now part of the aptly named “Les Collectionneurs” collection. The latter continues to evolve over time and is regularly offered for sale to brand aficionados at dedicated events organised in Vacheron Constantin boutiques around the world. “Les Collectionneurs” models all come with a digital certification of authenticity with Blockchain technology and a two-year guarantee – an offer unmatched in the watchmaking world.
When vintage is second nature
The notion of vintage is second nature to Vacheron Constantin. It is expressed through a strong attachment to everything relating to its heritage. In more than 265 years of existence, the Maison has accumulated a unique set of archives in the field of time measurement. Engaged in uninterrupted production since its origins, the Manufacture is also able to take care of – and restore if necessary – any timepiece from its workshops, whatever its age.
A closer look at its archives and its private collection of more than 1,500 timepieces offers an excellent insight into this historical depth and the means used to nurture it. From the watchmakers and craftspeople of its restoration workshop to the historians of the Style & Heritage team, the experts at Vacheron Constantin possess all the necessary skills to best honour this vintage watchmaking service that now enjoys such an excellent reputation.
Vacheron Constantin wanted to unite connoisseurs and aficionados of the Maison around their passion for vintage timepieces, leading to the creation of “Les Collectionneurs”: an approach consisting in using the Manufacture’s considerable resources to gather and restore a series of historical Vacheron Constantin pieces, subsequently offered for sale at dedicated events in Vacheron Constantin boutiques around the world.
“Les Collectionneurs” represents another facet of Vacheron Constantin,” comments Christian Selmoni, Style & Heritage Director. “The collection perpetuates this precious link between past and present, enabling our clientele of connoisseurs and collectors to acquire restored vintage pieces directly through the Maison, which is a real guarantee. As for the events organised around the world to unveil these pieces, they attract both seasoned collectors and young generations eager to delve more deeply into watchmaking history.”
Watches ready for a new life
The Vacheron Constantin Heritage team works to bring together these vintage watches, whether pocket or wristwatches. The objective is to create a representative range of timepieces offered by Vacheron Constantin over the years. All kinds of channels are used in order to locate them: auction rooms, personal contacts with private individuals – bearing in mind that an expert eye is decisive in the choice of these timepieces, be they simple or striking models, calendars or chronographs…
Pocket watches mainly covering the years 1910 to 1930 and wristwatches prior to 1970 – with a preference for the period from 1940 to 1960 – are then subjected to a dual appraisal. First of all, a historical evaluation is undertaken in order to authenticate the piece with reference to the in-house archives, which have been listing cases and movements by serial number for a century and a half. Then comes the technical assessment aimed at determining which interventions may be necessary, from simply cleaning the timepiece, to its restoration – the objective being to preserve these timepieces in a state as close as possible to that of their origins. If necessary, they are restored to working order using period components, of which Vacheron Constantin maintains a large stock, or else reproduced the old-fashioned way and in identical form within the Manufacture. Once the process is complete, each timepiece is accompanied by a digital certificate of authenticity and a two-year guarantee, the latter being the same as that delivered with all models within the Maison’s standard collections.
Models unveiled at dedicated events
Throughout the year, Vacheron Constantin organises special events or exhibitions of historical models from its private collection in its boutiques. These are all special experiences that give connoisseurs an opportunity to discover this “Les Collectionneurs” collection; and Vacheron Constantin’s experts a chance to share the history related to the “experience” of these models. Thanks to its extremely well documented archives, the Maison can retrace the destiny of these timepieces that have survived through the ages as testimony to their time and to its watchmaking expertise. Rare and doubtless unique for those who cherish them, these Vacheron Constantin timepieces bearing the patina of age as a badge of honour are thus ready for a new life.
Watches highlight 18K yellow gold minute-repeater gentleman’s wristwatch (Inv. ref 11761) – 1951
Tear-drop lugs soldered to the middle. Silvered dial, circular guilloché hour-circle, 4/4 Roman numerals and 8 lapidated and pointed indexes, external pearled minute-circle. Yellow gold pointed baton hands.An exception grand complication, the reference 4261 combines an impressive thinness and superb aesthetics.The minute repeater mechanism was the third type of complication to be miniaturised enough to fit into the space of a wristwatch after the calendar and the chronograph mechanisms. It has been developed around 1930.The model 4261 was the first ultra-thin minute repeater produced by Vacheron Constantin. When it was launched in 1943 it was considered as one of the thinnest minute repeaters ever made. Less than 40 pieces were produced between 1944-1951, in yellow gold, pink gold and platinum. This watch is one of the last pieces produced.The reference 4261 is most probably the most sought-after Vacheron Constantin timepieces, from the collector’s perspective.
18K yellow gold open-face worldtime pocket watch (Inv. Ref 10394) – 1949
Silvered dial made in 3 parts. 24 hours disk divided in two zones, dark blue zone for the night hours and silvered for the daylight hours. external fixed disk graduated with the name of 41 cities and placesIn 1932 the Vacheron Constantin first World Time pocket watch displays the Cottier system capable of displaying the 24 time zones on the same dial, rotating with the movement. The Maison assigns model ref 3372 to this brand new watch. Watches indicating 24 time-zones were progressively named “Universal time, “international time” (ref. Vacheron Constantin archives) and then “World time” for most contemporary watches. In 1936 seeking to show that the complication was worth perfecting. Vacheron Constantin presented two new version of its international time model whose featured 31 international cities for reference 3650. In 1946 Vacheron Constantin assigned reference 4414 to the world time model with a dial comprising 41 cities. This reference was ordered by famous watches collectors as well as the Agnelli family in 1941. King Farouk of Egypt in 1946 or 52nd United States secretary of States John Foster Dulles who received a world time 4414 model from dramatist and diplomat Mrs Clare Booth Luce in 1955.Vacheron Constantin Worldtime watches are not indexed on political/state time zones but under the Meridian for each of 24 time zones (a kind of geographic hour). Following this concept, each time zone is spaced by 15° longitude.
TOURBILLON WITH THREE FLYING BRIDGES – ASTON MARTIN EDITION
The first timepiece borne of our partnership with Aston Martin has been revealed. The Tourbillon with Three Flying Bridges – Aston Martin Edition unites the watchmaking expertise of Girard-Perregaux with Aston Martin’s unique knowledge of luxury and performance.
We both demonstrate a passion for refined craftsmanship and have been working together, sharing their understanding of design, materials and technology. This latest model celebrates the iconic Three Bridges pocket watch from the 19th century in a decidedly contemporary way, down to the smallest details, including the strap. Upholding Girard-Perregaux tradition, this model skilfully plays with proportions and shapes much to the delight of aesthetes.
The 44 millimetre case of the Tourbillon with Three Flying Bridges – Aston Martin Edition is formed of Grade 5 titanium, a strong, hypoallergenic alloy selected by Aston Martin for its lightweight properties. It is suffused with black DLC, bestowing the watch with a stealthy appearance. While Girard-Perregaux has a long history of making the invisible visible, in this instance it has ventured off-piste, creating a watch whose movement appears to levitate within the case.
TOURBILLON WITH THREE FLYING BRIDGES
The first timepiece borne of our partnership with Aston Martin
PATRICK PRUNIAUX, CEO OF GIRARD-PERREGAUX
“WE ARE DELIGHTED TO PARTNER WITH ASTON MARTIN, ENTRUSTING THEIR TEAM WITH ARGUABLY OUR MOST ICONIC TIMEPIECE, DELIVERING A FRESH PERSPECTIVE ON HAUTE HORLOGERIE.”
https://www.myluxepoint.com/wp-content/uploads/2021/06/Web-Ready-Small-99296_21_001_BA6A_Pub_Brac2-1-e1622823690243.jpg12921282Nico Nicohttps://www.myluxepoint.com/wp-content/uploads/2017/03/logo2v.pngNico Nico2021-06-04 18:24:102021-06-04 18:30:41TOURBILLON WITH THREE FLYING BRIDGES – ASTON MARTIN EDITION
Vacheron Constantin – Métiers d’Art Tribute to great explorers: a new window on the world and on history, opened by talented Master artisans
A series of three ten-piece limited editions, paying homage to the Portuguese sailors Bartolomeu Dias, Vasco da Gama and Pedro Álvares Cabral.
Miniature masterpieces, with Grand Feu enamel dials inspired by a map from the 1519 Miller Atlas, of which a reproduction is kept in the Portuguese Maritime Museum (Museu de Marinha – Lisbon).
The Manufacture 1120 AT movement powering an off-centre display of the hours and minutes, leaving ample space to express the Maison’s artistic crafts.
Geneva, 2021 – They evoke a time when the world had yet to be discovered. They retrace the famous epic journeys of the great 15th century explorers who braved the seas and oceans to discover distant horizons. Bartolomeu Dias, Vasco da Gama, Pedro Álvares Cabral: Vacheron Constantin celebrates their spirit of adventure through a new series of three ten-piece limited editions, the Métiers d’Art Tribute to great explorers. Crafted in Grand Feu enamel, each dial depicts selected portions of a 1519 map from the Miller Atlas. These three masterpieces of miniaturisation and expertise are driven by the Manufacture 1120 AT movement.These new models, presented at Watches & Wonders 2021, are part of the theme of the Maison for 2021 : entitled Classic with a Twist, it highlights Vacheron Constantin’s creative energy, guided by an identity that celebrates a heritage and dares to deliver the unexpected.
The spirit of travel, exploration and discovery of arts and cultures is an integral part of Vacheron Constantin’s history. A history rooted in the origins of the Manufacture, in an age when François Constantin did not hesitate to travel the world to open new markets and to fly the banner of the Maison high and wide, wherever possible. This openness to the world still pervades the philosophy of the Manufacture, which symbolically celebrates the spirit of adventure through a new journey – on this occasion a voyage through time – in memory of the great 15th century Portuguese explorers.
With this third opus in the Métiers d’Art Tribute to great explorers collection, which completes two series presented in 2004 and 2008, Vacheron Constantin ventures into one of history’s most exhilarating chapters. In the wake of models dedicated to Magellan, Zheng Hé, Christopher Columbus and Marco Polo, which proved a great success with collectors, comes the turn of Bartolomeu Dias, Vasco da Gama and Pedro Álvares Cabral to be honoured through extraordinary miniature compositions enhanced by talented master artisans. They bear witness to the noble touch and impressive creativity of the enamellers whose mastery of Grand Feu enamel once again broadens the horizons of the Métiers d’Art collection. A rare skill extending an invitation to travel while firing the imagination.
Masterful miniature Grand Feu enamel expressions of patience and meticulous care
Inspired by a map from the 1519 Miller Atlas, of which a painted reproduction is kept in the Portuguese Maritime Museum (Museu de Marinha – Lisbon), each dial shows a part of the world and the maritime routes respectively taken by the three explorers. In order to replicate the finely nuanced colours and the extreme delicacy of the motifs, the Maison opted for the art of enamelling. The result is three dials in Grand Feu enamel, masterpieces of patience and precision that require a full month’s work and 11 firings in the kiln at a temperature of between 800 and 900°C. These are all stages in which mastering fire proves crucial, since a few seconds too many can jeopardise several weeks of work.
The art of enamelling is a rare skill, a subtle blend of experience and sensitivity demonstrated in each move made by the artisan. Composed of crystal and metal oxides, enamels come in the form of small blocks of colour that the enameller first crushes into an extremely fine powder. The latter is then worked to create a substance similar to paint, which is applied in successive touches, enabling the enameller to represent motifs with incredible finesse and nuance. After coating the dial with the background colour, the enameller tackles the dial motifs, starting with the outlines of the continents, which are here enhanced with gold-coloured enamel powder. The decorative elements of this elegant composition – including the ships, fauna, flora and wind rose – are also produced using the delicate technique of miniature painting, thus serving to reproduce a host of details and subtly graded shades, obtained after numerous tests by the enameller. Each addition of colour requires another firing, since enamel is a mineral material that must be melted down in order to display its famous brilliance and intense depth.
Calibre 1120 AT with satellite hours
So as to give free rein to the enameller’s expertise, the three Métiers d’Art Tribute to great explorers models are powered by in-house Calibre 1120 AT. This movement is distinguished first and foremost by its 5.45 mm thinness enabling the 41 mm-diameter 4N pink gold case to maintain a trim 11.68 mm overall thickness guaranteeing an elegant appearance on the wrist.
The mechanism is also distinguished by its singular construction and its original time display mode enabling the wearer to travel visually through the dial as the hours pass by. Concealed beneath the upper part of the dial, the hours wheel is equipped with three arms each bearing four hours numerals, driven in turn by a cam shaped like the Manufacture’s Maltese cross inspired emblem. This ingenious satellite module enables the hours to sweep across the dial from top to bottom, traversing the fixed minutes circle positioned along a 120° arc. The hours numerals thus travel through the dial and their position gives an indication of the minutes replacing a traditional hand-type display.
Revealed through the transparent caseback, the movement decorations – notably including the 22-carat pink gold oscillating weight adorned with a wind rose – are entirely worthy of its technical nature.
Métiers d’Art Tribute to great explorers –Bartolomeu Dias
If his crews had not convinced him to give up on continuing the journey beyond the southern tip of Africa, perhaps Bartolomeu Dias (1450 – 1500) would have been the first to reach the Indies. The illustrious Portuguese explorer made history in a different way, by discovering the Cape of Good Hope in 1488, paving the way for future expeditions. Bartolomeu Dias was also a member of the crew of Vasco da Gama, who led his fleet to Indies between 1497 and 1498.
The route taken by Bartolomeu Dias’ ships in 1488 is represented by a red line on the Grand Feu enamel dial, enhanced by numerous incredibly refined details. With the help of a magnifying glass, a close look will reveal the silhouette of the men composing the explorer’s crew on board the two ships sailing west of Africa; or the palette of shades used by the enameller to precisely reproduce the landscapes, fauna and flora as they are represented on the map of the Miller Atlas.
Métiers d’Art Tribute to great explorers – Vasco da Gama
The long journey that took him from Portugal to the coasts of India was one of the most important 15th century discoveries. The Portuguese explorer Vasco da Gama (1469 –1524), who left his native country in 1497, was the first to travel from Europe and Asia by sea, following an epic and often hellish journey across the Atlantic and Indian Oceans. After circumnavigating the southern tip of Africa, his fleet of four ships sailed along the coast as far as Kenya before embarking on a crossing towards the Indies, which he reached in 1498.
The sea route taken by its crew is finely traced in red enamel on the dial, each detail of which is a very faithful reproduction of the map appearing in the Miller Atlas. The gaze will naturally be drawn to a ship from Vasco da Gama’s fleet in the dial centre, sails billowing on a stormy sea; or to the circumference of the wind rose and the continents enhanced with gold-coloured enamel powder.
Métiers d’Art Tribute to great explorers – Pedro Álvares Cabral
It is to this Portuguese aristocrat and explorer that we owe the discovery of Brazil in 1500. Pedro Álvares Cabral (1467 – 1520) was commissioned by King Manuel I of Portugal to travel to the Indies to continue the work of Vasco da Gama, but he took a very different route from his contemporary. Rather than sailing along the African coast to the southern tip of Africa, the fleet led by Pedro Álvares Cabral headed west, until they discovered a new world, Brazil.
This route is depicted by a red enamel line standing out against a beige enamel background punctuated by extremely faithful representations of the elements present on the map of the Miller Atlas. In the centre of the dial, a ship from Pedro Álvares Cabral’s fleet, sails buffeted by the wind, proudly cleaves the sea in an extraordinarily lifelike manner. The accuracy of the craftsmanship is also expressed in the shimmering feathers of the birds as well as in the depiction of human figures on the South American continent.
Classic with a Twist
Vacheron Constantin’s creativity has always remained closely attuned to its time while evoking its memories. This byword for elegance, adopted by each watchmaker, artisan and designer throughout the years and centuries, celebrates heritage and dares to explore the unexpected. Poised at the intersection between technical virtuosity and aesthetic refinement, the enduring allure of Vacheron Constantin timepieces makes its way unscathed through passing eras. Because timelessness cannot be achieved merely by complying with the canons of traditional watchmaking, each creation is tinged with a touch of boldness revealed in the smallest details. Special displays, offset indications, specific chamfering of all components, hand-crafted finishing and the complexity of a mechanism are just a few examples of this expertise. The result is a very personal field of expression where technique and style converge in a subtle harmony between the conventional and the atypical.
Vacheron Constantin explores an exhilarating page of history with the Métiers d’Art Tribute to great explorers’ collection, available in a series of three ten-piece limited editions. In the wake of Magellan, Zheng Hé, Christopher Columbus and Marco Polo, to whom the Manufacture had already paid tribute in 2004 and 2008, comes the turn of Bartolomeu Dias, Vasco da Gama and Pedro Álvares Cabral to be honoured through extraordinary compositions enhanced by talented master artisans. To celebrate the discoveries made by these three 15th century Portuguese navigators, the Maison has opted for Grand Feu enamel and the technique of miniature painting. Masterpieces of patience and meticulous care, each of the three dials represents part of a map from the 1519 Miller Atlas, of which a reproduction is kept in Portuguese Maritime Museum (Museu de Marinha – Lisbon). These extraordinarily precise compositions are framed by a slim 18K 4N pink gold case measuring 41 mm in diameter. In order to provide abundant expressive scope for the enameller, these models beat to the rhythm of the 1120 AT self-winding movement, driving an off-centre time display thanks to a satellite hours module.
Métiers d’Art Tribute to great explorers
7500U/000R-B687: Bartolomeu Dias
7500U/000R-B688: Vasco da Gama
7500U/000R-B689: Pedro Álvares Cabral
Developed and crafted by Vacheron Constantin
22K gold oscillating weight with tapisserie decor
32.80 mm (12 ½ ‘’’ diameter), 5.45 mm thick
Approximately 40 hours of power reserve
2.75 Hz (19,800 vibrations per hour)
Hallmark of Geneva certified timepiece
Dragging hours, minutes
18K 4N pink gold
41mm diameter, 11.68 mm thick
Transparent sapphire crystal caseback
Water-resistance tested at a pressure of 3 bar (approx. 30 meters)
18K gold, two-level dial, Grand Feu enamel
Blue Mississippiensis alligator leather with alligator leather inner shell, hand-stitched, saddle-finish, large square scales
18K 4N pink gold folding clasp
Polished half Maltese cross-shaped
Limited series of ten timepieces per reference.
Models available exclusively through the Vacheron Constantin Boutiques.
https://www.myluxepoint.com/wp-content/uploads/2021/04/vac-mda-tribute-great-explorers-vasco-da-gama-7500-u000r-b688-lfst-2.jpg7331100Maria Ghttps://www.myluxepoint.com/wp-content/uploads/2017/03/logo2v.pngMaria G2021-05-23 07:58:022021-05-23 19:38:48Vacheron Constantin - Métiers d’Art Tribute to great explorers: a new window on the world and on history, opened by talented Master artisans
Franck Muller reveals a new feminine timepiece: The Vanguard™ Rose Skeleton featuring the iconic and timeless characteristics of the brand. The hand drawn roses highlight the concept of nature and a floral universe blooming in a timepiece.
The Vanguard™ Rose Skeleton combines a harmonious design and a smart development. The technicity of the collection resides in the research of making the roses essential for the mechanism with an openwork dial. Here, the flowers are not ornaments placed on the movement, they are cut from the bridges and the bottom plate, connecting the mechanical movements together. They are esthetical decoration essential for the timepiece.
This innovative design is perfectly balanced with a highly feminine openwork dial, showcasing all the complications and the components of the movement. The owner can admire the enameled flowers painted by hand and the entire movement, as the studded balance and the handmade beveling, which gives the watch an aestheticism worthy of the highest watch movements.
The watch, entirely designed and manufactured in-house, has a small manual movement, enjoying a 4-day power reserve. The Vanguard Rose Skeleton embodies the spirit of modern yet refined women. Franck Muller demonstrates all its craftsmanship with this unique feminine masterpiece to give it a sophisticated soul.
The timepiece is available in different color variations, as well as in the famous color dreams version. For diamond lovers, they will be delighted with the 2 or 5 roses set with diamonds, as well as the diamond case.
Roger Dubuishas consistently demonstrated its penchant for excess and extravagance. An inclination matched by a fearless determination to challenge the rules through a resolutely expressive and contemporary approach. This serial innovator mindset results from visionary engineers and incredible watchmakers combining radical expertise. It is nourished by a daily obsession for designing and creating the future of Haute Horlogerie. Serving aesthetics through technical skills, reinventing tradition by unleashing creativity to push all boundaries, Roger Dubuis proudly introduces a fresh interpretation of its minute repeater. An experience reserved for a tribe of passionate connoisseurs.
In 2021, Roger Dubuis once again demonstrates its uncompromising approach to watchmaking with the launch of a de-structured reinterpretation of an impertinent and irreverent creative mindset: the Excalibur Diabolus in Machina. This example of Roger Dubuis’ tireless obsession with challenges features a gutsy combination of complications mastered by few watchmakers: a minute repeater, alongside the Geneva Maison’s signature flying tourbillon, as well as a double micro-rotor automatic system. Proudly chiming the tritone, the “Diabolus in Musica” chord outlawed in medieval religious music, the Excalibur Diabolus in Machina features two other functions: a tone playback disc indicator and an “all or nothing” safety device. Available in pink gold or DLC-coated titanium, this feisty and highly contemporary model offers vivid confirmation that the devil is truly in the details. Successfully combining technical prowess with daring aesthetics, the Excalibur Diabolus in Machina is a vivid example of Roger Dubuis being the most exciting way to experience Hyper Horology.
When you wish upon a star, incredible things start to happen. In this case, Roger Dubuis deliberately defies its own codes. In the Excalibur Diabolus Machina, the historical Excalibur dials, consisting of Roman numerals and stars, have completely imploded into the movement, giving birth to offbeat, yet fully balanced architecture. This disruptive design creates harmony between opposites by merging rigorous geometry with chaos creating an even more complex but far more exciting watchmaking feat, not a single element is positioned on the same level.
This aesthetic sophistication is matched by impressive technical prowess. Invented as a means of telling the time at night before the advent of electric lighting, the minute repeater is considered one of the most challenging horological complications. It is the only one requiring the watchmaker to make so many manual adjustments throughout the assembly process so as ensure the ideal chime. It is also the only one that calls for genuine musical talent on the part of its maker who tunes it with great finesse and craftsmanship, much like a musical instrument. This intricate auditory complication is an integral part of the legacy of the brand’s founder Mr. Roger Dubuis and it is entirely natural for his heirs to offer a version honouring this heritage while giving it a resolutely contemporary and mischievous twist.
The Excalibur Diabolus in Machina demonstrates its devilish expertise with a pushpiece that activates a chime. The information on each cam is mechanically read off by the Minute Repeater’s main feeler-spindle system, which passes it on to the racks enabling the hammers to strike the gongs. The latter sounds a low pitch for the hours, a high pitch for the minutes, and two tones for the quarter hours, allowing the wearer to check the time at will.
Consisting of three tones, or six semitones, the tritone – also known as the triad or the flatted fifth – an unsettling interval that does not conform to listeners’ expectations. It thus provides an audible echo of Roger Dubuis’ disruptive approach to all things horological. This distinctive dissonance was referred to in medieval times as “the devil’s chord” or diabolus in musica and strictly prohibited in religious compositions. It has nonetheless continued to play a crucial role in complex melodic harmony, notably appearing in Camille Saint-Saëns’ symphonic poem Danse Macabre and in the signature tune of the Black Sabbath metal band. Cleverly shaking up the world of minute repeaters, Roger Dubuis has chosen the sound of the tritone as the chime of its Minute Repeater in the Diabolus in Machina. Pressing the minute repeater button between 9 and 10 o’clock activates the dissonant tonality – tuned to C and G flat – resounding through noble materials and providing a fascinating listening experience.
Visual intrigue and enhanced safety
Various key technical advances featured in the Excalibur Diabolus in Machina include the Tone Playback Disc Indicator at 11 o’clock. Activating the Minute Repeater sets off the rotation of this disc – merged with a Roman numeral and bearing the words Hours, Quarters and Minutes. The result is a visually striking depiction of the time intervals being chimed.
An additional functional indicator further simplifies usage by showing whether the watch is in “manual winding” or “time setting” position. As well as enhancing the design through its artful integration at 4 o’clock, it plays a useful safety role in avoiding potential damage by warning the wearer not to adjust the watch while the Minute Repeater is chiming.
Bearing a name that reflects its importance in a minute repeater mechanism, the “all or nothing” mechanism offers additional security by ensuring the minute repeater can be activated only once the pusher has been pressed all the way in. This eliminates the risk of harming the mechanism by inadvertent triggering, as well as facilitating comprehension of the chime by avoiding any partial and potentially confusing indications of time.
Striking a chord
The intricate complexities of this model are naturally heightened by Roger Dubuis’ typically bold decision to combine this fresh approach to the minute repeater with its signature flying tourbillon. Each of these two horological complications involves its own technical challenges and associating them within the same model is the kind of endeavour reserved for the most skilled and experienced master-watchmakers.
To ensure that aficionados enjoy every last bit of the ride, this Hallmark of Geneva-certified series powered by Calibre RD 107 is housed in an imposing 45 mm pink gold or DLC titanium-coated case and fitted with a calf leather strap designed for maximum comfort. Boldly living up to its provocative and irreverent name, the Excalibur Diabolus in Machina strikes an unmistakable chord in the hearts and minds of a tribe passionate about Roger Dubuis’ reinvention of the Hyper Horology game.
https://www.myluxepoint.com/wp-content/uploads/2021/03/excaliburdiabolusinmachina3-2.jpg7331100alfredoroseshttps://www.myluxepoint.com/wp-content/uploads/2017/03/logo2v.pngalfredoroses2021-04-05 14:31:132021-04-05 18:42:10Excalibur Diabolus in Machina by Roger Dubuis
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