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MB&F x BULGARI LEGACY MACHINE FLYING T ALLEGRA

MB&F x BULGARI

LEGACY MACHINE FLYING T ALLEGRA

The story of the collaboration between Bulgari and MB&F is first and foremost that of an encounter – initially motivated by mutual professional respect and subsequently evolving into a strong friendship – between Bulgari’s Product Creation Executive Director, Fabrizio Buonamassa Stigliani; and MB&F’s Founder and Creative Director, Maximilian Büsser. The outcome is FlyingT Allegra, a joint and unexpected feminine creation merging various skills, but above all two mindsets.

MBandFXBulgari_Wristsh

MBandFXBulgari_Wristsh

This story is also that of an unlikely connection, of two paradoxes combining to form a single, homogeneous and sophisticated whole. It is also the story of an encounter between two unusual and unconventional creative approaches. When MB&F and Bulgari decide to join forces, the result can only be extraordinary, in the truest sense of the word.

Both Bulgari and MB&F display strong character in their respective fields yet are also very different. The Rome-based Maison is known for its love of cabochon-cut coloured gems in jewellery watch creations, expressing Mediterranean warmth and exuberance – diametrically opposed to the currently prevailing classicism. Born in 2005, MB&F took the decision to design radical timepieces exploring previously uncharted conceptual territory within a watch industry environment characterised by stubborn conventionalism.

The two brands were thus bound to converge on a shared platform: that of their jewellery-making and mechanical audacity. MB&F works on volumes and complexity, while Bulgari creates two-dimensional models with a radically graphic aesthetic. The choice to revisit MB&F’s Legacy Machine FlyingT was thus both natural and logical, since FlyingT Allegra incorporates both sensibilities.

Radical in terms of its architecture and construction, while exquisitely precious in terms of its opulent ornamentation, this creation was intended as a tribute to femininity. In its name FlyingT, the T stands for the initial of Max Büsser’s wife, Tiffany, as well as for flying Tourbillon. In an ultimate refined touch embodying this sophisticated approach, the movement is designed in such a way that only its owner can read the time.

While this may seem simple, the reality is quite different. The movement is vertically built along a central axis orchestrating the overall architecture of the entirely visible mechanism. In this respect, the watch deliberately goes against tradition, since everything that is usually hidden is highlighted here in a three-dimensional construction.

The upper end of the axis carries the diamond-set flying tourbillon and the balance, a vibrant technical organ against which the hours and minutes dial is set at a 50-degree angle, precisely defined so that the owner of the FlyingT Allegra is the only one who can read the time. The case-back reveals the sun-shaped oscillating weight: its gold sandblasted rays rotate on the ruthenium disc positioned above a platinum counterweight.

Between the regulating organ and the rotor, the barrel ensures an extremely generous 100-hour power reserve made possible by the reduction in the number of gears. A sapphire crystal dome tops this three-dimensional assembly, beneath which one can admire the organic life of the movement.

This unusual construction with its feminine-themed design could not have been more appropriate for Bulgari. The volumes of the watch – featuring a case entirely redesigned by Bulgari to give it a futuristic and opulent profile – are matched by those of the coloured stones. These gems serve to counterbalance the cold precision and micromechanical complexity of this model by instilling the Roman jeweller’s warm and exuberant signature touch. For each of the 20 timepieces composing the two pink or white limited editions, jewellers have carefully selected tourmaline, tsavorite, diamonds, rubellite, amethyst, tanzanite and topaz, in an exceptional composition forming a full circle around the movement. The dial entirely paved with snow-set diamonds provides a dazzling backdrop.

In contrast to conventional high jewellery codes, Bulgari has always favoured the use of coloured stones rather than diamonds alone. Coloured gems enable the Rome-based Maison to create authentic compositions through a gradual process aimed at achieving harmony and chromatic power adapted to the design of the model. Cut is very important, and Bulgari favours the cabochon which ensures extreme clarity of the stone while emphasising the opulence of the creation. The cabochon cut perfectly matches the FlyingT Allegra’s round and voluminous case.

This exceptional partnership goes far beyond the realm of the complicated feminine jewellery watch. It highlights two visions of the world, two interpretations of creativity that are radically different in form, yet which merge in substance within an integrated and harmonious co-creation vividly demonstrating the power of two.

ABOUT THE FLYING T ENGINE

In a departure from most modern watch movements, which take a radial and co-planar approach to movement construction, the LM FlyingT engine utilises a vertical and co-axial approach. The cinematic flying tourbillon, which boldly projects beyond the dial-plate of LM FlyingT, is a visually stunning example of the rotating escapement and stands in stark contrast to other flying tourbillons, which usually do not venture past the confines of their surrounding watch dials.

Flying tourbillons, as their name suggests, are anchored only at their base, with no stabilising bridge to restrict lateral motion at the top. This increased need for overall rigidity is what causes the conservative placement of most flying tourbillons within their movements. Legacy Machine FlyingT breaks free of this limiting need for movement security and confidently displays its flying tourbillon in all its glory.

In order to display the time as precisely as possible on the 50° inclined dial, conical gears were employed to optimally transmit torque from one plane to another. The 280-component engine of Legacy Machine FlyingT has a power reserve of four days (100 hours), which is among the highest within MB&F.

MB&F x BULGARI – LM FLYING T ALLEGRA

TECHNICAL SPECIFICATIONS

20 pieces in 18K white gold and 20 pieces in 18K red gold diamond-set cases, with fully diamond-set dial plates, adorned with fine gemstones.

Engine

MB&F FlyingT movement featuring three-dimensional vertical architecture, automatic winding, conceived and developed in-house.

Central flying 60-second tourbillon.

Power reserve: 100 hours.

Balance frequency: 18,000bph / 2.5Hz.

Three-dimensional sun winding rotor in 18K 5N+ red gold, titanium and platinum.

Number of components: 280.

Number of jewels: 30.

Functions/indications

Hours and minutes displayed on a 50° vertically tilted dial with two serpentine hands.

Two crowns: winding on left and time-setting on right.

Case

Material: 18K white or red gold, set with diamonds.

High domed sapphire crystal on top with anti-reflective coating on both sides, sapphire crystal on back.

Dimensions: 39 x 20mm.

Number of components: 17.

Water resistance: 3ATM / 30m / 90’.

Stones

For the white gold version:

  • Brilliant-cut diamonds on the dial and crowns: ~ 0.24ct
  • Brilliant-cut diamonds on the case and buckle: ~ 2.80cts
  • 3 tsavorites square, pear and round: ~ 1.33cts
  • 1 oval topaz: ~ 0.71ct
  • 1 oval amethyst: ~ 0.4ct
  • 1 round tanzanite: ~ 0.43ct
  • 1 round tourmaline: ~ 0.06ct

For the rose gold version:

  • Brilliant-cut diamonds on the dial and crowns: ~ 0.24ct
  • Brilliant-cut diamonds on the case and buckle: ~ 2.80cts
  • 2 tsavorite square and round: ~ 0.38ct
  • 2 tourmaline oval and round: ~ 0.64ct
  • 1 oval tanzanite: ~ 0.47ct
  • 1 pear amethyst: ~ 0.70ct
  • 1 round rubellite: ~ 0.39ct

Strap & buckle

Alligator leather strap with white or rose gold pin buckle matching the case.

ABOUT BULGARI

Part of the LVMH Group, Bulgari was founded in Rome in 1884 as a jewellery shop. Known as the magnificent Roman jeweller and master of coloured gems, Bulgari has established a worldwide reputation for Italian excellence and enjoys renowned for its exquisite craftsmanship. The company’s international success has evolved into a global and diversified luxury purveyor of products and services, ranging from fine jewels and high end watches to accessories and perfumes, and featuring an unrivalled network of boutiques and hotels in the world’s most exclusive shopping areas.

Demonstrated through its numerous philanthropic partnerships, Bulgari deeply believes in innovating the present for a sustainable future through its commitment to Corporate Social Responsibility and giving back – to nature and to the community

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Vacheron Constantin – High Watchmaking: Astronomical watches

Vacheron Constantin

High Watchmaking: Astronomical watches

  • Horology stems from the observation and study of the stars dating right back to the earliest ancient civilisations
  • Twenty years after its foundation in 1755, the first watches with astronomical indications appeared at Vacheron Constantin.
  • The Manufacture has developed a rare breed of expertise in Grand Complication watches dedicated to the movement and influence of the moon, stars and planets.

Geneva, November 17th 2021 – Horology, the science of time measurement, was born from the observations of heavenly bodies and natural cycles. The mechanical instruments developed by horologists stem from these observations, reflecting an art that has continued to progress since the late Middle Ages. Founded in 1755, Vacheron Constantin developed a perfect mastery of astronomical indications at a very early stage, progressively enriching it over the two and a half centuries of the Manufacture’s existence. Today, the Maison produces watchmaking masterpieces of great astronomical complexity.

Astronomical watches remind us of the origins of watchmaking. Born of the observation of the great physical laws of Nature, the measurement of time is in fact a material extrapolation of the movement of the stars and cycles. This mechanically translated interpretation has given rise across the ages to timepieces capable of offering a wide variety of functions, and of varying degrees of complexity, linked to the singularities of the Gregorian calendar, to the various temporalities governing our universe, or to the motion of heavenly bodies and their impact on the Earth. Although many of these functions are not of practical use, they nonetheless testify to expertise that is all the rarer in that it lends a cosmological dimension to these watches forming a link between humankind and the universe. From its earliest days, Vacheron Constantin has shown great interest in watches with astronomical functions, including various types of calendar displays and indications of the phases and age of the Moon, often combined with other horological complications. Since the 2000s, this technical mastery has been illustrated in particular through its Les Cabinotiers department, whose astronomical watches are masterpieces of their kind.

Astronomical functions

The astronomical functions of a wristwatch include indications related to the particularities of the Gregorian calendar, as well as a wide variety of displays related to the movement of the stars. In addition to the main functions listed below, the most complex of them may offer a system for predicting lunar and solar eclipses, the position of the stars as seen from the Earth, displays of the ephemerides (solstices, equinoxes, seasons), the signs of the zodiac, a tideograph, sunrise and sunset, the duration of day and night, the annual deviation or angular movement of the Moon, etc. All this bearing in mind that a good number of these functions are valid exclusively for a given location. The most “common” astronomical watches include one or more of the following indications.

  • Calendars

A simple calendar watch is a watch that, in addition to the time, provides calendar information – usually the date – but whose mechanism does not automatically keep step with the irregularity of successive months. When such a calendar also provides indications including the day of the week, phases of the moon and even the year, it is called a complete calendar. This type of complication requires five adjustments per year. Unlike a simple calendar, an annual calendar automatically takes into account the irregularity of 30- or 31-day months, except for February, meaning that manual adjustment is required on March 1st each year. A perpetual calendar, on the other hand, indicates calendar functions such as the date, month and day of the week, taking into account months with 28, 30 or 31 days, as well as leap years.

  • Moon phases

The moon-phase indication is frequently associated with the perpetual calendar. It serves to reproduce the cycle of Earth’s satellite (new Moon, first quarter, full Moon, last quarter) on the watch dial. The phases of the Moon should not be confused with the age of the Moon which indicates the time (in days) elapsed since the last new Moon.

  • Equation of time

The equation of time is defined by the difference between solar time – or true time – and civil time – or mean time. The former is the time as shown on a sundial, while the latter is the time displayed on a watch. The difference between the two ranges from -16 minutes to +14 minutes and occurs during the course of the year, due to the Earth’s elliptical orbit and the tilt of its axis.

  • Sidereal time

The time it takes for the Earth to complete one full spin on its axis (360°) is 23 hours, 56 minutes, 4 seconds, and is called the sidereal day. Because of the Earth’s revolution around the Sun and its rotation on its own axis, the solar day – the time difference between two passages of the Sun through the zenith point (meridian) – lasts a few extra minutes. Using a fixed star in the sky instead of the Sun as a reference point, this sidereal time is used as a basis for astronomical observations.

  • Sky map

The sky chart is a planispherical representation on a disc or dial of the sky at a given location on the globe. This surface is rotated at a rate of one revolution per year – thereby offering a ‘snapshot’ of the sky at a given time – or of one revolution per sidereal day, which provides a view of the sky in real time.

Advanced mechanics

The perpetual calendar is often considered one of horology’s finest gems for its ability to display the exact date for an all but infinite duration (with the exception of secular years not divisible by 400), taking into account the variable length of the months and the leap-year cycle. To accomplish this mechanical feat, the movement must have a “memory” of 1,461 days, equivalent to four years. The essential component of these mechanisms is the month cam on which the different monthly durations are programmed. Equation of time mechanisms are also governed by a cam – which is in this case asymmetrical, performs one revolution in a year and features a shape derived from the analemma.

This results in a one-day discrepancy for this type of mechanism that must be corrected every 2 years and 7 months. Watches with a precision moon-phase display have a wheel with 135 teeth. With this system, the deviation from the lunar cycle is reduced to one day every 122 years. Another astral representation is the rotating sky chart, of which the visible part corresponding to the skyline is delimited by an ellipse, and which generally makes one revolution in one day in order to offer a vision of the sky in real time.

This rotation is calculated according to sidereal time, which is 3 minutes and 56 seconds shorter than the average day. Technically, the simplest solution consists of integrating two kinetic chains in the movement, from the barrel to the regulating organ, the first beating at the mean solar time rate of one revolution in 24 hours and the second at the slightly faster sidereal time rate of one revolution in 23 hours, 56 minutes and 4 seconds.

Astronomical paternity

The appearance of megalithism around 5000 BC owes nothing to chance. These thousands of precisely oriented stone monuments – of which one of the best-known is the circle of menhirs at Stonehenge – are regarded as the first astronomical observatories. It was however not until around 4200 BC that these first observations took on a more scientific nature, when the birth of writing played a decisive role by making it possible to record events, perform calculations, establish chronologies and make forecasts. Writing appeared in Mesopotamia, and gradually became established in Egypt in the following century – and then some 2,000 years later in China and the Mayan Empire. Each great civilisation then set about developing its own calendar based on the visible movement of the Sun or the Moon, or both.

It was the Mesopotamians, around 2400 BC, who invented a common unit of measurement for calculating distances and time, which is still the basis of our sexagesimal system of degrees of angle and minutes today. This spatialisation of time was decisive when it came to sequencing it according to the course of the stars. The development of mechanical engineering, which already emerged at the time of Aristotle, was thus able to give shape to the counting of time and its astronomical dimension. As soon as the first clocks appeared in the 13th and 14th centuries, mechanical horologists set out to reproduce on dials the movements of the solar system’s main planets. The pocket watches of the Renaissance were direct heirs to these large astronomical clocks. Well before the invention of the minutes hand, these watches already indicated the time, the date, the days of the week, the months and their duration, the moon phases and the signs of the zodiac. These astronomical watches, which were very popular in the 17th century, are still considered to be models of their kind today.

From that time onwards, ingenious watchmakers redoubled their efforts to make their mechanisms more accurate – resulting in the appearance of minutes and then seconds hands – and more compact. This miniaturisation naturally made it difficult to depict certain astronomical functions, except for the date and its most sophisticated perpetual calendar interpretation, accompanied by a moon-phase display. As of the 19th century, any Grand Complication watch had to incorporate a mechanism capable of following the irregularities of the Gregorian calendar. At that time, some exceptional pocket watches also reproduced celestial mechanics by displaying the equation of time, sunrise and sunset times or sidereal time. These functions can be found in the highly complicated timepieces of the first half of the 20th century. The advent of the wristwatch, however, put a stop to these technical masterpieces – while nonetheless not provoking their complete disappearance. Since the revival of the mechanical watch at the end of the 1980s, the astronomical watch has enjoyed a clear resurgence in interest and currently represents a supreme demonstration of expertise.

 

Vacheron Constantin and calendar watches

The first mention of a pocket watch in Vacheron Constantin’s records dates back to a period prior to 1773, i.e. the early years of the workshop founded by Jean-Marc Vacheron in 1755. A decade later, the range of complications developed under the leadership of Jean-Marc’s son Abraham Vacheron, notably exemplified by the first complete calendar dating from 1785 and appearing on a brass dial with a floral motif. The archives of the Maison accurately retrace this progressive mastery of astronomical complications, beginning in 1829 with the first recorded order for a watch featuring a simple calendar and moon phases, and again in 1884 for a perpetual calendar integrated into a double-sided yellow gold pocket watch now belonging to Vacheron Constantin’s private collection. This achievement marked the beginning of an epic mechanical saga that was to take on greater significance at the turn of the century.

As early as 1900, the company set up a workshop exclusively dedicated to the assembly of watches with complications, and orders poured in for complicated and even very complicated watches. The perpetual calendar was thus combined with other technical feats, as in this 1901 pink gold pocket watch incorporating a minute repeater, chronograph and perpetual calendar with phases and age of the moon. This masterpiece of mechanical artistry typifying Grand Complication watches prefigures the historic golden age of complicated watches at Vacheron Constantin. An era that culminated in the 1920s and 1930s, notably with the astronomical pocket watch made in 1929 for King Fouad I of Egypt. This masterful timepiece combines a split-seconds chronograph, a perpetual calendar, a minute repeater and a Grande and Petite Sonnerie mechanism.

The heyday of the perpetual calendar

Throughout most of the 20th century, Vacheron Constantin remained faithful to its classic and elegant approach to horological complications, including the perpetual calendar in pocket watches until the 1960s. These decades were thus punctuated by a number of exceptional creations, including this gold pocket watch from 1946 with minute repeater, chronograph and perpetual calendar displaying the phases and age of the moon. Elegance was notably expressed by models featuring impressive slimness made possible by their thin movements. In 1955, Vacheron Constantin had already presented its manual-winding Calibre 1003, which was barely 1.64 mm thick, a real feat. Some 12 years later, the company achieved a new feat – this time in the field of self-winding movements – with its Calibre 1120 measuring 2.45 mm thick. It was this specific movement, skeletonised for the occasion, that served as the basis for the first perpetual calendar (Calibre 1120 QP) housed in an ultra-thin wristwatch introduced by Vacheron Constantin in 1983.

While complete calendars, triple calendars with moon phases and retrograde calendar indications are part of the grand traditions of the Maison, the perpetual calendar remains one of its preferred complications, currently interpreted in the Patrimony, Traditionnelle and Overseas collections. This inclination has notably been reflected in a major new model presented in 2019 with the Traditionnelle Twin Beat perpetual calendar . With its two going trains operating at different rhythms, the watch can be slowed down to a “resting position” ensuring at least 65 days of power reserve. In its “classic” version, the perpetual calendar also remains a basic function of grand complication mechanisms, an unchanging tradition at Vacheron Constantin. In recent years, the Manufacture has distinguished itself with timepieces whose complexity has become an art in itself, such as the Tour de l’île with its 16 watchmaking and astronomical complications, produced in 2005 for the 250th anniversary of the Maison. Ten years later, for its 260th anniversary, Vacheron Constantin presented another timepiece destined to make watchmaking history, the Reference 57260 and its 57 complications, making this one-of-a-kind model the most complicated watch in the world.

Astronomy at its peak

At Vacheron Constantin, mastery of astronomical functions is by no means confined to calendar functions. In the world of pocket watches, the Manufacture responded at an early stage to specific requests from customers and collectors who were particularly sensitive to this dimension of watchmaking. In 1890, for example, at the request of a Parisian client, the Manufacture created a watch indicating sidereal time. Some 20 years later, the company archives mention a movement blank designed to power a display of true solar time, associated with a simple calendar as well as sunrise and sunset indications. The year 1919 was also marked by the delivery of a perpetual calendar movement with moon phases, sunrise and sunset and retrograde equation of time, a true mechanical rarity. This tradition of astronomical indications based on the course of the stars – which been put on hold for a time due to the miniaturisation requirements of the wristwatch – has made a major comeback in the Maison’s collections since the powerful late 20th century craze for mechanical watches and has been further strengthened since the creation of the Les Cabinotiers department.

Responsible for special orders and exceptional creations for the Maison in the form of one-of-a-kind timepieces, this department has produced veritable masterpieces in the field of astronomical watches with highly sophisticated complications. Among these is the Celestia Astronomical grand complication 3600 (2017) and its 23 functions inspired by astronomy, including a reading of civil, solar and sidereal time. This same reading is found on the Astronomical striking grand complication – Ode to music (2020) and its 19 essentially astronomical functions coupled with a minute repeater. The theme chosen for the Les Cabinotiers watches introduced in 2021 was Le Temps Céleste (celestial time), masterfully expressed through three exceptional timepieces. Among them are the Armillary perpetual calendar – Planetaria watch, featuring a jumping retrograde perpetual calendar regulated by a double-axis tourbillon and complemented by a 3D depiction of the two hemispheres for the 24-hour and day/night indications. Expressed at this level, astronomical complications are undoubtedly both science and art.

A beautiful tribute

In the 19th century, Vacheron Constantin’s reputation was well established, particularly in the world of accuracy, which earned the company numerous prizes for excellence in chronometry (precision timekeeping) awarded by the Geneva Observatory, among others. The Manufacture’s customers therefore increasingly placed orders for timepieces meeting their needs, which were strictly formulated when it comes to astronomical observations. A letter addressed to Vacheron Constantin on February 24th 1853 by Count Hyppolite Salino, secretary of the Sardinian Legation in Paris, features a request for a thermometer and date watch: “(…) as I intend to use this watch for astronomical observations, I would like it to be a true chronometer, crafted with the perfection that the works emerging from your workshops come so close to attaining”. A glowing tribute to the watchmaking excellence of Vacheron Constantin.

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Watch selection

Double-sided yellow gold pocket watch with 48-month perpetual calendar and moon phases –1884

This is the first recorded Vacheron Constantin pocket watch to incorporate a perpetual calendar and features a double-sided display. The display of time including small seconds appears on the front enamel dial with Roman numerals and external minute-track, while the perpetual calendar is displayed on four counters visible through the transparent caseback. The vertical axis features the date and the day of the week, while the age and phases of the moon appear on the horizontal axis opposite the month display. This subdial divided into four quarters is staggered over 48 months with the leap year indicated by the same hand. This timepiece is all the more remarkable in that it won a First Prize for chronometry at the Geneva Observatory competition.

Grand Complication yellow gold pocket watch with tourbillon, perpetual calendar, moon phases and split-seconds chronograph – 1931

This extremely complicated watch is a collector’s item. A very rare model for its time, it displays a perpetual calendar with the age and phases of the moon, together with a split-seconds chronograph as well as a 32-hour power reserve indication. Regulated by a tourbillon, which can be seen by lifting the cover protecting the caseback, this watch won First Prize in the 1934 Geneva Observatory competition. Produced in 1931, it is a perfect example of the golden age that Vacheron Constantin experienced at that time in the production of pocket watches with multiple complications, perfect readability and infallible chronometry.

King Farouk yellow gold Grand Complication pocket watch – 1934

One of the most complicated watches of its time. This imposing model – measuring 80 millimetres in diameter and which took more than five years to complete – is equipped with 13 hands. Its calibre incorporates 820 components that drive 14 complications. This double going-train watch in 18K yellow gold was presented to King Farouk of Egypt in 1946 and remained in his collection until 1954. It includes a chiming minute repeater and Grande and Petite Sonnerie equipped with three gongs and three hammers, a split-seconds chronograph with a 30-minute counter, a perpetual calendar, an indication of the phases and age of the moon, an alarm clock and two power-reserve indicators.

“Cioccolatone” yellow gold square curved wristwatch with triple calendar and moon phases – 1954

In the 1950s, post-war exuberance led to new forms of design that were both functional and unrestrained. Vacheron Constantin’s response to this new trend took the form of this large, organically square wristwatch with rounded lugs and bezel, as well as a slightly curved case. Nicknamed “Cioccolatone”, this watch has become an iconic symbol of the design typical of that period. Introduced at the beginning of the decade, it has been interpreted through several variations, including this most emblematic Reference 4764 with triple calendar and moon phases.

Ultra-thin platinum wristwatch with perpetual calendar and moon phases – 1988

At the height of the hegemony of quartz watches in the 1980s, Vacheron Constantin took a gamble on the mechanical watch by producing this complication watch, the first perpetual calendar with moon phases on a wristwatch from the Maison, which was also offered in an ultra-thin version. This model played an important role in the renewed interest in high-end watchmaking and its complicated mechanical watches. Presented in 1983, this reference –interpreted through several iterations including a skeleton version – remained in production until 2006. The watch is particularly elegant thanks to its movement measuring barely 4.05 mm thick: the ultra-thin Calibre 1120 QP complete with date module.

Les Cabinotiers Celestia Astronomical Grand Complication 3600 – 2017

The unique double-sided Celestia Astronomical Grand Complication 3600 combines astronomy and the art of watchmaking in a “celestial” white gold composition. The watch incorporates 23 mainly astronomical horological complications appearing on both sides of the case, offering a reading of the time in three different modes – civil, solar and sidereal – each driven by its own gear train. Its new fully integrated calibre has nearly 514 components housed in a thickness of barely 8.7 mm, while six barrels guarantee it a three-week autonomy.

Les Cabinotiers Tourbillon armillary perpetual calendar – Planetaria – 2021

Equipped with the new manual-winding Calibre 1991, the result of four years of development, this one-of-a-kind timepiece features a perpetual calendar with a retrograde display of the date, day and month. It also features a rare 3D depiction representing the Earth’s Northern and Southern hemispheres. The two titanium globes perform a complete rotation in 24 hours complete with a day/night indication. The movement is regulated by a dual-axis tourbillon whose interlocking cages move at a speed of 60 seconds per rotation.

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THE ROLLS-ROYCE BOAT TAIL TIMEPIECES: AN ARTISTIC COLLABORATION WITH BOVET 1822

THE ROLLS-ROYCE BOAT TAIL TIMEPIECES: AN ARTISTIC COLLABORATION WITH BOVET 1822

Rolls-Royce Boat Tail is a pure expression of its owners’ interests, influences and passions, with every detail minutely considered. We have enjoyed working with BOVET 1822 to create a pair of exquisite timepieces that also serve as Boat Tail’s dashboard clocks. In doing so we have together created historically significant items of detail, precision, and beauty.

  • Rolls-Royce collaborates with Swiss master horologists BOVET 1822 to create unique timepieces for first Boat Tail coachbuilt commission
  • Pair of reversible tourbillon timepieces, each designed to be worn on the wrist, used as a table clock, pendant or pocket timepiece, or placed within the fascia as Boat Tail’s Timepiece
  • Timepieces and dashboard holder took 3,000 hours to develop and manufacture
  • Five-day power reserve and tourbillon mechanism ensure the timepieces keep perfect time when used as dashboard clocks

“Rolls-Royce Boat Tail is a pure expression of its owners’ interests, influences and passions, with every detail minutely considered. We have enjoyed working with BOVET 1822 to create a pair of exquisite timepieces that also serve as Boat Tail’s dashboard clocks. In doing so we have together created historically significant items of detail, precision, and beauty. These remarkable objets d’art, unique to the first iteration of Boat Tail, represent the finest examples of the skills and values shared by our two great luxury Houses.”
Torsten Müller-Ötvös, Chief Executive Officer, Rolls-Royce Motor Cars

“I am so proud of the BOVET 1822 team, who worked in tandem with their counterparts at Rolls-Royce to produce something truly spectacular. The owners of the coachbuilt car, and these bespoke timepieces, are personal friends, as well as valued collectors of BOVET 1822. It was important to do the very best for them – two completely unique pieces that are unlike anything we have ever done before.”
Pascal Raffy, Owner, BOVET 1822


A MOMENT IN TIME

The clock in a Rolls-Royce motor car frequently assumes a jewel-like status, often becoming a canvas for the client to tell the story of their commission in miniature. For Rolls-Royce Boat Tail, the recently unveiled, first of three, coachbuilt creations, in which every element has been created to the owners’ exact specifications, this iconic centrepiece has been elevated to new technical and aesthetic heights.

In a spirit of warm collaboration, Rolls-Royce Motor Cars and Swiss master watchmakers, BOVET 1822, have created a pair of unique timepieces for Boat Tail and its owners. This ambitious undertaking brought together designers, engineers and craftspeople from both luxury Houses, in a magnificent demonstration of their shared values of excellence, precision, heritage, artistry, innovation and attention to detail.

The timepieces are unique to both the horological and automotive worlds. Made as a pair – in lady’s and gentleman’s versions – they are reversible, and housed in BOVET 1822’s patented Amadeo case, which allows them to be worn on the wrist, or used as a table clock, pendant or pocket-watch, as well as being placed front and centre in Boat Tail’s fascia as the motor car’s own timepiece. Both are fitted with tourbillon mechanisms to ensure perfect accuracy.

IN KEEPING WITH TRADITION

BOVET 1822 initially earned its reputation making luxury pocket-watches for wealthy patrons in China; today, it is renowned worldwide for its exquisite timepieces featuring hand-painted dials, detailed engraving and finely finished visible mechanisms.

The timepieces, created for this first iteration of Boat Tail, have specially designed 18K white gold cases and feature matching front dials with the same Caleidolegno veneer found on the aft deck of Boat Tail itself, and are finished with the owner-couples’ names. The gentleman’s timepiece is highly polished; the lady’s is ornately engraved then filled with blue lacquer.

On the reverse side, the dials are more individual. The gentleman’s features an aventurine dial with the celestial arrangement of the night sky over the place of his birth on his birth date; the lady’s is decorated with an ornate miniature painting of a flower bouquet on a mother-of-pearl dial. This design is a traditional BOVET 1822 motif, chosen by and personalised for the owner.

Both reverse dials have hand-engraved Bespoke sculptures of Boat Tail, complete with wheels, door handle, mirrors and other fine details. By working closely together, the teams at Rolls-Royce and BOVET 1822 were able to achieve a precise colour match between the lacquer on this tiny work of art and the full-size motor car.

Further close cooperation was required to ensure the timepieces conformed to the demands of their unique role as motor car clocks. In watchmaking, weight is rarely an issue for a complex timepiece, but in this instance, there was a limit on the combined permissible weight of the timepieces and their holders. BOVET 1822 met this requirement by creating an entirely new 44mm white gold case. In addition, the timepieces and holders also had to be tested to automotive-industry standards for vibration and crash safety – something never previously undertaken on mechanisms of this kind.

At a conservative estimate, the timepieces’ design, engineering, sculptures, miniature painting, marquetry, bespoke movements and cases took a total of 3,000 hours to complete.

THE TRANSFORMATIVE TOURBILLON

When a pocket-watch is left static in one position for any length of time, the effect of gravity on key moving parts can impair its accuracy. At the end of the 18th Century, watchmakers solved this problem by developing the tourbillon, where the escapement and balance wheel are mounted in a cage that slowly revolves, cancelling out the gravitational effect. In a wristwatch, the wearer’s natural physical movements diminish the need for the tourbillon. However, when that same timepiece is mounted vertically in a car dashboard for many hours at a time, the tourbillon truly comes into its own.

BOVET 1822 is a specialist in tourbillion timepieces, for which it holds a number of patents and has received many awards including the Aiguille d’Or, watchmaking’s highest honour. It is also one of the only companies in the watch industry to manufacture its own spirals and regulating organs. To reduce potential impact from the vibration from the car, the tourbillon has pivots rather than the traditional ball bearings; a heavier balance wheel and an increased oscillation rate to aid precision. Finally, the tourbillon bridge is finished with a miniaturised Spirit of Ecstasy handcrafted in gold.

The timepieces have an astonishing five-day power reserve, rather than the 42-48 hours of a ‘standard’ watch, to allow for their role as motor car clocks.

DASHBOARD HOLDER MECHANISM: PERFECT PRECISION 

The holder mechanism is unique to Rolls-Royce Boat Tail and was designed by BOVET 1822 engineers and the Rolls-Royce Coachbuild design team from a blank sheet of paper. Although in a Rolls-Royce vibration is naturally reduced to an absolute minimum – undetectable vibrations are inevitably still present. This highly complex mounting assembly serves to isolate the timepieces from these micro-vibrations. It also ensures they operate silently, are easy to mount and remove from the dashboard and, above all, remain safe and secure.

These challenges were unlike any normally encountered in watchmaking and car manufacture. From the start, BOVET 1822 was determined to follow a purely mechanical approach in keeping with its tradition of Swiss handcrafted production. The engineers’ innovative solution was to keep all the system’s moving parts external, with the dashboard providing a solid setting for the holder. Finally, Rolls-Royce ensured that when the holder is not housing one of the time pieces, it can be covered with a beautiful engraved and lacquered display plaque.  Below the clock, the dashboard is fitted with a special drawer, lined with the same leather as Boat Tail’s seats, which serves as a safekeeping receptacle to house the timepieces, straps, chain and pendant when not in use.

ROLLS-ROYCE BOAT TAIL TIMEPIECES FACTS & FIGURES

Case Size: Bespoke; diameter – 44mm; thickness – 14mm

Case Type: 18K white gold Fleurier case; BOVET 1822 bow at 12 o’clock; 49 components

Case Function: Amadeo Convertible System; reversible; pocket watch on chain; pendant watch on necklace; table clock; dashboard clock

Case Finishing: Men’s timepiece is high polish finish; Women’s timepiece is hand-engraved then filled with blue lacquer

Movement: Bespoke 60-second tourbillon; manual-wind; 284 components (without dial and hands); 21,600 v/h

Functions: Hours and minutes on both sides (reverse hand-fitting); power reserve indicator on front

Power Reserve: 5 days

Men’s Front Dial: Hand-made wood marquetry dial; hand-engraved Spirit of Ecstasy sculpture fixed to the tourbillon bridge; “A Special Timepiece Commission” on the dial

Women’s Front Dial: Hand-made wood marquetry dial; hand-engraved 18K white gold Spirit of Ecstasy sculpture; “A Special Timepiece Commission” on the dial

Men’s Reverse Dial: Blue aventurine glass with sky chart of owner’s birth day and birth place; hand-engraved bespoke Boat Tail sculpture, lacquered to match the colour of the car then miniature painted by hand to add the details; lady’s name engraved on the mirror-polished (by hand by the watchmaker) tourbillon bridge

Women’s Reverse Dial: Miniature hand-painting of flower bouquet on mother-of-pearl dial (based on historical BOVET 1822 timepiece, customised); hand-engraved bespoke Boat Tail sculpture, lacquered to match the colour of the car then miniature painted by hand to add the details; gentleman’s name (engraved on the mirror-polished (by hand by the watchmaker) tourbillon bridge

Dashboard Holder: Aluminium and Titanium; 51 components; Engraving of two Rolls-Royce Boat Tails in a white gold case, to match that of the timepieces, to place inside when the timepiece is not present (100% engineered, designed, and produced in-house by BOVET)

In-car Drawer: to hold timepieces, straps, chain, necklace

Independent laboratory certification: shock, temperature, humidity, vibration

timepieces luxuxy hamilton
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HAMILTON – Conquista una nueva dimension presentamos el nuevo ventura S Quartz

HAMILTON – Conquista una nueva dimension presentamos el nuevo ventura S Quartz

Un poco más de medio siglo después, el primer reloj eléctrico del mundo conserva una estética futurista junto a su icónica caja triangular.

timepieces luxuxy hamilton

timepieces luxuxy hamilton

Demostrando que el futuro está lleno de posibilidades que todavía desconocemos, el Ventura S Quartz presenta un diseño con efecto 3D y una esfera negra o blanca, que combina con una correa de caucho a juego.

ENCUENTRA TU VENTURA

announces-new-ambassador-ryan-gosling-the-new-generation-tag-heuer-carrera-three-hands
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TAG HEUER Announces New ambassador Ryan Gosling the new generation Tag Heuer Carrera three hands

TAG HEUER ANNOUNCES NEW AMBASSADOR: RYAN GOSLING & THE NEW GENERATION TAG HEUER CARRERA THREE HANDS

La Chaux-de-Fonds, Switzerland – 7th October 2021: As a symbol of TAG Heuer’s sporty spirit, the TAG Heuer Carrera collection’s purest and most elegant watch model has been updated: the TAG Heuer Carrera Three Hands. The result is a new collection of 13 pieces whose design reinterprets in a modern style the innate elegance of this timepiece reimagined in four versions: the TAG Heuer Carrera Day Date 41 mm, the TAG Heuer Carrera Twin-Time 41 mm. The TAG Heuer Carrera Date 39 mm and the TAG Heuer Carrera Date 29 mm, all expressing the brand’s undying obsession with readability, since 1963.

TAG Heuer revisits one of its most iconic collections, the TAG Heuer Carrera, and presents the new generation of a timeless sporty and elegant three-hand watch.
THE NEW GENERATION
TAG HEUER CARRERA
THREE HANDS

TAG HEUER ANNOUNCES NEW AMBASSADOR: RYAN GOSLING & THE NEW GENERATION TAG HEUER CARRERA THREE HANDS

TAG HEUER ANNOUNCES NEW AMBASSADOR: RYAN GOSLING & THE NEW GENERATION TAG HEUER CARRERA THREE HANDS

TAG Heuer Carrera, a heritage of sportsmanship and elegance The TAG Heuer Carrera collection has always been the ultimate showcase for the brand’s fascinating motor racing heritage, and is best known for its timeless, sporty and elegant chronographs. Since their introduction more than 60 years ago by visionary Jack Heuer, these timepieces, with their smooth, clean lines and perfect proportions, have become instantly recognisable and elevated to the ranks of horological icon.

Favouring pure and modern design, Jack Heuer’s aim at the time was to create a Heuer Carrera chronograph that was both uncluttered and perfectly harmonious – ideal characteristics for drivers
who need to be able to tell the time at a glance in the heat of the action. In 1962, Jack Heuer, CEO of the watchmaker at the time, heard about the famous Carrera Panamericana car race, one of the
most dangerous in the world. The Spanish word Carrera, which means road, race, career or course, immediately caught his attention. It would be the perfect name for a new timepiece.


The obsession with readability “Legend has it that TAG Heuer’s obsession with readability started in 1958 when Jack Heuer dropped from first to third in a Swiss rally he was competing in because he was unable to read the dashboard timer correctly. After that, Jack decided to focus on and improve this specific pain point, and he embraced his love of modern design to create an incredibly legible watch.” explains Nicholas Biebuyck Heritage Director at TAG Heuer. “This is the reason why the Carrera launched in 1963 looks already radically different from any other watches the company had produced before. You can see in the Carrera a focus on the typography and the desire to explore the purest form possible. Its design language is so clear and minimal that there are only three lines of text on the watch dial: Carrera –Heuer – Swiss Made – removing any risk of getting confused or distracted by superfluous decorations.”

In the early 2000’s, the TAG Heuer Carrera Three Hands version was introduced and since that time, this line has been the embodiment of TAG Heuer’s unwavering quest for perfect readability and clarity, particularly with regards to telling time. If the TAG Heuer Carrera Chronograph is the sharpest and most legible way of recording time, the Carrera Three Hands is the sharpest and most legible way of telling time and as such, is the natural successor of the dashboard timers which had been produced by Heuer since the 1930’s. In 2021, the new TAG Heuer Carrera Three Hands collection abides by the same master time philosophy and revisits this rich heritage with a touch of modernity and the same passion for creating timepieces with a striking design that ensures perfect readability for drivers, as well as for all owners of this legendary watch. A commitment that has fuelled the company for nearly 100 years. Frédéric Arnault, TAG Heuer’s CEO, said “Since its first introduction more than two decades ago, the TAG Heuer Carrera Three Hands has become a centrepiece of our offering, and we are delighted to introduce a new line that ties the watch firmly to its illustrious roots, while projecting bold modernity and refinement. With 4 variations and 13 new timepieces, our clients and collectors will undoubtedly find the
TAG Heuer Carrera that uniquely matches their lifestyle while enjoying its signature understated design and unrivalled legibility, features which have made it the lasting success it is.”

TAG Heuer Carrera Twin-Time Date 41 mm

The TAG Heuer Carrera Twin-Time is equipped with the Caliber 7 automatic movement. The Twin-Time version has the new H-shaped bracelet. The dial offers bolder hour and minute hands,
and a refined Twin-Time hand tip.

The elegant and sporty design is highlighted by a new, refined flange in bicolour, silver and blue, to indicate day and night.

TAG Heuer Carrera Date 29 mm
The TAG Heuer Carrera Date 29 mm, Calibre 9 automatic, has a new case with refined lugs and a new H-shaped bracelet. For better readability, the dial integrates bolder hands and a new refined index, which reflects the light and is inspired by the Carrera’s origins. The 29mm size line also integrates a date at 6’o clock new refined version with diamond indexes.

The introduction of the TAG Heuer Carrera Three Hands collection marks a new chapter in TAG Heuer’s Carrera history. Pure design, readability, refinement … The new generation of the Carrera Three Hands is a new interpretation of an iconic watch and a worthy representative of the readability obsession of Jack Heuer. An obsessive quest which is deeply anchored in the brand’s DNA.

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ROGER DUBUIS – New frosty white excalibur spider huracán has hearts racing

ROGER DUBUIS – New frosty white excalibur spider huracán has hearts racing

ADRENALINE MEETS INNOVATION 

Hearts race hard and fast at the sight of the RD630 calibre elevated by CCF, a high-technology material inspired by other ground-breaking industries. Roger Dubuis saw the ingenuity of aerospace’s use of CCF in the production of space rockets and from there went on to develop its own CCF material after months of research and development.

Representing the Maison’s technical prowess and desire to charter new ground, the independent Manufacture found that combining resin with resistant ceramic fibres could produce an entirely new and exceptionally light material twenty per cent lighter than carbon and with a distinctive white marble-effect.

Not only does this lightness make it exceptionally comfortable to wear on the wrist, it also takes design to its epic extremes. Used to create its white case and as embellishment within the movement itself, the new Excalibur Spider Huracán is a veritable feat of innovation and adrenaline in a single timepiece.

POWERED BY RAGING MECHANICS 

The new Excalibur Spider Huracán is the latest creation to emerge from Roger Dubuis x Lamborghini Squadra Corse, a partnership defined by radical performance and razor-sharp aesthetics. Reflecting the DNA of the Italian supercar combined with the horological excellence of the Maison, the CCF-white Excalibur Spider Huracán is built like an engine.

Powered by an automatic RD630 calibre, the 45-mm diameter Excalibur Spider Huracán channels the same exhilarating blend of performance and lightness as its motoring namesake. Taking strong visual cues from which the Lamborghini Huracán is based, the timepiece is imbued with signature racing design codes. With a honeycomb motif made famous by the supercar, the hexagonal dashboard of the Lamborghini Huracán is reflected in the timepiece, the same epicentre paralleled in the shape of the calibre. What’s more, twin barrels and a 12° tilted balance wheel represent the movement signature associated with Lamborghini Squadra Corse. When viewed from the back, the semi-skeletonised movement reveals the 360° oscillating rim weight that reproduces the like-for-like speed effect of a Huracán wheel rim, while emulating the design of the wheel rim too. A crown inspired by the supercar’s racing nuts is paired with an upper calibre strut-bar design bridge reminiscent of those found on the Lamborghini Huracán V10 engine itself. A cryptical date feature enhances its playful allure, while a Quick Release System on the buckle and strap ensures the watch is easily interchangeable. Limited to just 88 pieces, this is no ordinary timepiece. This is a timepiece for those who dare to seek out their next rush.

GLOW BIG OR GLOW HOME  

Imbued with a further technical feat, the Excalibur Spider Huracán glows by night as the Maison’s obsession with light and luminescence shines through with both the upper flange and hands filled with Super-Luminova™. In a shining example that shows Roger Dubuis goes where others do not dare, Super-Luminova™ is also applied to the timepiece’s tilted surfaces, deposited on the strut-bars thanks to an innovative process first used in a Roger Dubuis world-premiere last year. Likewise, a vulcanization process known as SuperBiwiNova® melts Super-Luminova™ directly inside of the watches’ white rubber inlay strap to create a show-stopping finish. A glowing timepiece that plays by no one else’s rules but Roger Dubuis’ own, there’s no telling what could be achieved with the CCF-white and luminescent Excalibur Spider Huracán on the wrist.

#NoRulesOurGame 

 

Roger Dubuis is not owner of the trademark Super Luminova™

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CHIARA FERRAGNI BECOMES A NEW HUBLOT GLOBAL AMBASSADOR AND FACE OF THE GLOBAL CAMPAIGN

CHIARA FERRAGNI BECOMES A NEW HUBLOT GLOBAL AMBASSADOR AND FACE OF THE GLOBAL CAMPAIGN

Fusion under the influence – With Chiara, everything is possible

Chiara Ferragni has joined the Hublot family in the company of many legendary personalities such as football legend Pelé, tennis world No. 1 Novak Djokovic, track and field champions Dina Asher-Smith and Usain Bolt and three Michelin star chef Clare Smyth. She lights up everything she touches and creates, she is a natural-born winner and shines her aura over everything she loves and chooses.

Today, she has chosen Hublot. So why Chiara Ferragni and why Hublot?

Everything I do, I do to share. The things I love, the people I love, the things I experience, my daily life, my children, my work: I put my heart into everything to inspire others, to believe in themselves and their dreams. I found my ikigai in 2009. I managed to combine my passion with my talent in response to a need and now it has become my business. By opening the door to who I am and what I experience, I am also hoping to inspire the women of today not to choose between being a wife, a mother or an entrepreneur. All these roles complete me, just as they complete each other. Beauty drives everything I do. Not only inner beauty, but everything I see around me. That is reflected in my collaborations, my words, my charity work and my daily life. Why Hublot? Because Hublot is not like any other watch brand, it follows its own distinctive path, with determination: It follows its dreams of innovation, while respecting traditions; it seeks beauty both inside and out, by showcasing much more than athletic performance or the success of a family member, it celebrates the reasons for this performance and success, in other words, the ability to be first, different and unique. Hublot’s messages and values speak to me, that’s why I have chosen to join this family today. A fusion of passion and determination has shaped who I am, across all my roles, and forged the businesswoman I have become. This same fusion has also made Hublot the company it is today.

Chiara Ferragni
Hublot Brand Ambassador

Who does not know Chiara Ferragni? Her extraordinary destiny is not down to luck, this visionary and determined woman is someone who learnt how to grow and evolve with her time. By portraying and sharing who she is and what she loves, she has realised her dream, inspiring the men and women of her generation to believe that anything is possible. As someone who is both authentic and spontaneous, she has turned her happy, positive and generous nature into her trademark. As a visionary and pioneer, she has been able to move with the times by dominating the digital platforms and turning her passion into a real business. Her passion became her job, and her natural talent transformed into a success that is seemingly within everyone’s reach. Her inspiring journey proves that anything is possible; it’s the stuff of dreams, while being very real. Who wouldn’t want to live and realise their dreams like Chiara Ferragni? At Hublot, we love inspiring women and men who believe in their dreams and move heaven and earth to fulfil them, who assert their distinctive personality, are willing to go out on a limb, who are not afraid of what people will say and who follow their path with authenticity and passion.
That’s why Chiara fits so well into our family.

Ricardo Guadalupe HUBLOT CEO

Surely, one no longer needs to present Chiara Ferragni?

Well yes, if only to highlight the very nature of this woman, a so-called influencer, a term too small to encompass all her talents. As a business woman, entrepreneur, influencer, wife and mother of two, she embodies that ‘can do’ attitude that everyone finds so inspiring.Twelve years after launching theblondesalad.com, Chiara Ferragni has achieved a success story. When she started out, Instagram did not exist and blogging was in its infancy. It took Chiara only a few months to turn a hobby into a business, attracting the attention of the media and the fashion world, and placing her name alongside the biggest luxury brands.

First, Unique, Different. Just like Hublot! She single-handedly created a job for herself, followed her instincts, asserted her choice to share and talk about her life. Honoured several times by Forbes, her career path has even inspired a study by the prestigious Harvard University to understand her success.

In tune with her times, Chiara is leaving her mark on the world. She resolutely believes in her dreams. A dreamer she may be, but she is firmly rooted in her land and her roots. Chiara Ferragni draws her strength from the stability of her family, her parents and two sisters; she has gone on to recreate this strength through her own family, which she has built with Fedez.

So, is it natural talent, intuition or destiny? What if was a bit of all three? Whatever the case, what is certain is that she achieves firsts with her writing, she asserts her uniqueness, and her difference while retaining that very inclusive feeling of being the ‘girl next door…’

She is an entrepreneur who embodies the digital revolution and the arrival of social media. Chiara is a pioneer, she is constantly achieving firsts. With her fashion blog, launched 12 years ago, she was immediately considered the most influential and most famous blogger in the world. She created her own brand of shoes, then clothing in 2015— Chiara Ferragni Brand, —she was also the first to be listed as the world’s most powerful influencer. Indeed, there is no shortage of superlatives to describe her career and she is not afraid to use them. Both her real life and her digital world are filled with sharing, joy, values and optimism. She is unique, that’s for sure! She is proud of her uniqueness, after transforming her name into a brand, a trademark, a style and an inspiration. She also uses her platforms and visibility to help the causes that are close to her heart. Ultimately, what makes her different is that she has managed to turn her passion, her daily routine and her life into a true success story. She is also different for resembling a generation of women who live with the times and manage to combine several roles, without placing any filters between the different parts of their lives. With an Instagram community of 24.7 million followers, she shares her daily life as a wife, mother and entrepreneur openly and frankly. Chiara is an inspirational figure.
Chiara and Hublot, how it began


You may remember the pictures of Chiara Ferragni wearing the Big Bang Millenial Pink. A unisex watch with an inclusive message, produced as a limited edition of 200 pieces in a shade chosen by Lapo Elkann and designed in collaboration with Garage Italia. Since this project, Chiara and Hublot have simply understood that there were many similarities between their worlds.
So, get ready, because what Chiara & Hublot are preparing for you is likely to make a big impression, once again… First, Unique, Different!
To stay up-to-date, follow: @Hublot #Hublot

HUBLOT
Founded in Switzerland in 1980, HUBLOT is defined by its innovation, which began with the highly original combination of gold and rubber. This “Art of Fusion” stems from the imagination of its visionary Chairman, Jean-Claude Biver, and has been driven forward by CEO Ricardo Guadalupe since 2012.

The release of the iconic, multi-award-winning Big Bang in 2005 paved the way for new flagship collections (Classic Fusion, Spirit of Big Bang), with complications ranging from the simple to the highly sophisticated, establishing the extraordinary DNA of the Swiss watchmaking house and ensuring its impressive growth.
Keen to preserve its traditional and cutting-edge expertise, and guided by its philosophy to “Be First, Different and Unique”, the Swiss watchmaker is consistently ahead of the curve, through its innovations in materials (scratch-resistant Magic Gold, ceramics in vibrant colours, sapphire), and the creation of Manufacture movements (Unico, Meca-10, Tourbillon).
HUBLOT is fully committed to creating a Haute Horlogerie brand with a visionary future: a future which is fused with the key events of our times (FIFA World CupTM, UEFA Champions LeagueTM, UEFA EUROTM) and the finest ambassadors our era has to offer (Kylian Mbappé, Usain Bolt, Pelé, Novak Djokovic).
Discover the HUBLOT universe at our network of boutiques located in key cities across the globe: Geneva, Paris, London, New York, Hong Kong, Dubai, Tokyo, Singapore, Zurich and at HUBLOT.com

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OMEGA Goes for Gold With a new Seamaster Aqua Terra Tokyo 2020

OMEGA Goes for Gold
With a new Seamaster Aqua Terra Tokyo 2020

Known as the ultimate prize at the Olympic Games, a gold medal represents the greatest accomplishment of an athlete’s career. In tribute to that iconic sporting honour, the Swiss watchmaker OMEGA has crafted two unique timepieces, each dedicated to the Olympic Games Tokyo 2020, and made in full 18K yellow gold.

OMEGA has been the Official Timekeeper of the Olympic Games since 1932, and will serve in the role for the 29th time when the prestigious event begins this July in Japan. If anybody knows about the precision, excellence and commitment required to stand at the top of the Olympic Games podium – it’s OMEGA!

The new Seamaster Aqua Terra watches are offered in 38 mm or 41 mm sizes, and both stand out for their radiant yellow gold cases. As always, OMEGA has used 18K gold, considered to be the premium standard in watch and jewellery making, with its superb balance between purity and practicality.

Presented on blue leather straps, the watches are also notable for their polished blue ceramic dials, which have been laser-engraved with a pattern inspired by the Tokyo 2020 Olympic Games emblem. The full emblem can also be found transferred on the casebacks, while inside, each timepiece is driven by a Co-Axial Master Chronometer calibre, guaranteeing the Swiss industry’s highest standard of precision, performance and magnetic resistance.

Appropriately, one of the first people to wear this new watch on their wrist is Michael Phelps – the most decorated Olympian in history with 28 Olympic Games medals, including 23 gold. Michael has been a part of the OMEGA brand family since 2004, and has always known about the importance of time for an athlete.

He says, “If you’re an Olympian, or trying to become an Olympian, it’s a 24-hour, 7 day a week job. It’s non-stop. It’s around-the-clock.”  And he knows exactly what it takes to achieve that coveted gold medal, saying, “To really be prepared for an Olympic Games, you have to put in the work. You have to go through the struggle. For the journey I went five times, it was never easy, but I know the work that I was doing gave me the results that I deserved.”

The new Seamaster Aqua Terra Tokyo 2020 Gold Editions come with OMEGA’s full 5-year warranty and are delivered to customers inside a special presentation box.

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Jaeger-LeCoultre presents the Reverso One Cordonnet Jewellery

When the Reverso was born in 1931, the feminine appeal of its elegant Art Deco lines became immediately apparent and new versions of the design were soon created, especially for women. Over the decades since then, Jaeger-LeCoultre has continued to explore the Reverso’s feminine side, uniting the codes of fine watchmaking with the decorative crafts.

As a canvas for artistic expression, the double-sided case of the Reverso is unique in watchmaking, providing an opportunity for the artisans of Jaeger-LeCoultre’s Atelier des Métiers Rares® (Rare Handcrafts™ workshop) to unleash their skills in the decorative arts.

For the Reverso One Cordonnet Jewellery, La Grande Maison unites the talents of its gem-setters with its mastery of watchmaking complications, bringing a new and exuberantly feminine expression of glamour to the Reverso collection.

Jaeger-LeCoultre featured the cordonnet bracelet (the word means ‘fine braid’) on several women’s watches during the 1930s. This simple black cord – the ‘little black dress’ of watch bracelets – epitomised the refined elegance of the Art Deco period, and perhaps never more so than when paired with the Reverso for the first time, in 1933.

For 2021, the Reverso One Cordonnet Jewellery reinterprets this exquisite pairing in radiant style, transforming the simple cord bracelet into a supple braid of gold and diamonds and uniting it with a fully diamond-set Duetto case.

Designed especially for women, the double-sided Duetto offers two dials, each with a different expression of the time. The ingenuity of the movement – the manually-wound Jaeger-LeCoultre Calibre 844 – lies in its ability to turn the hands simultaneously in opposite directions on each dial.

The front dial of the Reverso One Cordonnet Jewellery is constructed of multiple layers: fine golden Arabic numerals are applied to a white mother-of-pearl base and framed by diamond-set brackets; in the centre, framed by a fine filet of gold, a geometric cut-out reveals a glittering field of pavé-set diamonds. The reverse-side dial offers a rich contrast: set onto a background of onyx, diamond-set golden ‘sunbeams’ radiate out from the centre to form the hour markers.

The entire case and bracelet attachment, the bracelet itself and both dials are fully set with diamonds, while the winding crown is adorned with a reverse-set diamond. (1,104 diamonds for a total of 7.84 carats). For the case, Jaeger-LeCoultre chose the grain-setting technique, whereby the diamonds are held in place by beads of gold so tiny that they are almost invisible, keeping the stones very close together, so that the watch case appears to be encrusted in a solid mass of diamonds.

Conceived as an ode to 21st-Century femininity, the new Reverso One Cordonnet Jewellery attests to the horological savoir-faire, artistic craftsmanship and jewellery-making skills of La Grande Maison, while paying homage to the women who inspire Jaeger-LeCoultre every day.

TECHNICAL SPECIFICATIONS

REVERSO ONE CORDONNET JEWELLERY

Case material: pink gold fully set with diamonds

Case dimensions: 36.3 x 18mm

Movement: Jaeger-LeCoultre Calibre 844 – manually wound with 38-hour power reserve

Functions: Hours and minutes (indicating the same time on both dials)

Front dial: Mother-of-pearl, diamonds, applied numerals

Back dial: Onyx, diamond-set indexes

Bracelet: Pink gold fully set with diamonds

Diamonds: 1,104 diamonds for 7.84 carats

Reference: Q3372301

Vacheron Constantin - Client-First Service Expansion to Singapore and Australia
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Vacheron Constantin – Client-First Service Expansion to Singapore and Australia

Client-First Service Expansion to Singapore and Australia

• Vacheron Constantin meets client expectations in Hong Kong SAR, China, Singapore and Australia with the launch of customer advisor supported phone sales, starting July 2021.
• This comes after successful launches in the United States, Europe, Japan and China.

Geneva, July 2021 – Vacheron Constantin, the world’s longest continuously operating watch manufacture will now offer phone sales service to APAC region starting July 2021.

Clients from Hong Kong SAR, China, Singapore and Australia will now have the opportunity to select and purchase their timepiece of choice from those styles currently available on Vacheron Constantin’s website, www.vacheron-constantin.com. In a centralized effort, timepieces on the Maison’s website are available for sale over the phone, with a specific tab indicating the number to call to place orders.


Service-first customer advisors are now available to guide clients in their choices, answer questions, and facilitate a comfortable and easy purchasing journey. Once the phone order has been confirmed, c lients c an choose to pick up at a nearby boutique or complimentary shipping with turnaround times ranging between one and three days for Hong Kong and Singapore, and four to eight days for Australia.

Ever-focused on providing clients the services they deserve, Vacheron Constantin will also propose express delivery to clients in Singapore and Hong Kong. If the phone order is confirmed before noon on a weekday, the delivery will be scheduled on the same day, during the afternoon.

“It is part of Vacheron Constantin’s mission to offer a superior service to its clientele of connoisseurs, thanks to our concierge team and boutique sales associates who are now available over the phone or in-person. We are therefore delighted to be introducing new ways to purchase a Vacheron Constantin timepiece to APAC region”, says Laurent Perves, Vacheron Constantin Chief Marketing Officer.