8 Arabic Majlis Inspirations for the Middle East

In Arabic culture, it is essential to be hospitable, receiving your guests in the best way, and making sure they feel comfortable and welcomed. That’s why a majlis has a special role and importance in a house. Boca do Lobo has selected the best luxury interiors in the Middle East to dazzle even the most demanding tastes in social gatherings. Discover the finest ways to greet and entertain your guests with these Arabic Majlis inspirations!

ALGEDRA

large arabic majlis by algedra in dubai

As one of the best interior design companies in Dubai, Algedra assures you that you have a unique, noble, and sophisticated Arabic Majlis. Algedra’s interior design projects show high-end luxury, modern, contemporary or classic styles that will certainly make an amazing first impact on any guest or visitor.

contemporary arabic majlis interior design by algedra in dubai

Baroque Design & Build

luxury arabic majlis interior design by baroque design and build in qatar

Baroque Design & Build is based in Doha and was established in 2012. Their expertise lies in architectural and interior design, as well as the implementation of offices, shops, restaurants, towers, compounds and housing spaces from Concept to completion. This stunning Qatari company assures that you treat your guests to the refined luxury of the most exquisite Arabic Majlis.

luxury arabic majlis interior design by baroque design and build in qatar

La Victoire Decoration & Trading

spacious arabic majlis by la victoire dbd interior design in qatar

La Victoire DBD is a Qatari exterior and interior design firm whose team is comprised of strategic interior experts, and innovative master craftsmen. It’s not difficult to understand how their work is so sought-after – their intricate  reveal an unparalleled attention to detail, where each luxury furniture piece fits perfectly with the classical interior design, resulting in a lavish yet elegant experience.

spacious arabic majlis by la victoire dbd interior design in qatar

Spazio AE

large arabic majlis interior design by spazio ae in the uae

Spazio AE is a Dubai-based Architecture, fit-out, and Interior Design firm working on a long range of projects across the UAE. Their stunning modern interior design projects are high-end masterpieces, and these Arabic Majlis are no exception, providing an unforgettable luxury experience for both owners and guests.

contemporary arabic majlis interior design by spazio ae in the uae
modern classic ebook ultimate inspiration ebook boca do lobo

8 Arabic Majlis Inspirations for the Middle East

In Arabic culture, it is essential to be hospitable, receiving your guests in the best way, and making sure they feel comfortable and welcomed. That’s why a majlis has a special role and importance in a house. Boca do Lobo has selected the best luxury interiors in the Middle East to dazzle even the most demanding tastes in social gatherings. Discover the finest ways to greet and entertain your guests with these Arabic Majlis inspirations!

ALGEDRA

large arabic majlis by algedra in dubai

As one of the best interior design companies in Dubai, Algedra assures you that you have a unique, noble, and sophisticated Arabic Majlis. Algedra’s interior design projects show high-end luxury, modern, contemporary or classic styles that will certainly make an amazing first impact on any guest or visitor.

contemporary arabic majlis interior design by algedra in dubai

Baroque Design & Build

luxury arabic majlis interior design by baroque design and build in qatar

Baroque Design & Build is based in Doha and was established in 2012. Their expertise lies in architectural and interior design, as well as the implementation of offices, shops, restaurants, towers, compounds and housing spaces from Concept to completion. This stunning Qatari company assures that you treat your guests to the refined luxury of the most exquisite Arabic Majlis.

luxury arabic majlis interior design by baroque design and build in qatar

La Victoire Decoration & Trading

spacious arabic majlis by la victoire dbd interior design in qatar

La Victoire DBD is a Qatari exterior and interior design firm whose team is comprised of strategic interior experts, and innovative master craftsmen. It’s not difficult to understand how their work is so sought-after – their intricate  reveal an unparalleled attention to detail, where each luxury furniture piece fits perfectly with the classical interior design, resulting in a lavish yet elegant experience.

spacious arabic majlis by la victoire dbd interior design in qatar

Spazio AE

large arabic majlis interior design by spazio ae in the uae

Spazio AE is a Dubai-based Architecture, fit-out, and Interior Design firm working on a long range of projects across the UAE. Their stunning modern interior design projects are high-end masterpieces, and these Arabic Majlis are no exception, providing an unforgettable luxury experience for both owners and guests.

contemporary arabic majlis interior design by spazio ae in the uae
modern classic ebook ultimate inspiration ebook boca do lobo

UDesign | Luxury Home Design – Manhattan Suite Apartment

Eclectic, sophisticated, mature, classical and modern. These are all words that fit the description of the Manhattan Suite Apartment.

The bold colours, the dark wooden floors, the four metre high wooden ceilings and the funky old school style comes together to create an inspiring environment. Based on the principles of simplicity and symmetry the design choices in the living area hint at Neo-classicism.

The artworks carry a theme of faces and add splashes of colour and a sensual mood to the room. The striking (and very realistic) Cavalli wallpaper in the hallway turns a normally boring place into a really interesting space.

The master bedroom has shades of the baroque, especially in the wallpapered panels on both sides of the fireplace and the circular mirror, a little Art Nouveau in the hanging brass lamp and four armchairs, and the rest as minimalist as possible to make the whole thing work.



Luxury Home Design

The minimalist/baroque style carries through to the bathroom, where a full-size statue of Venus de Milo stands beside the window looking in. She likes what she sees: a free-standing bath, a small round table to place the champagne glass, a simple but elegant towel rack and a wine-red stool, all overlooking the wonderful view of the city. The details speak volumes in this superlative bedroom suite.

 

Insula Properties – Avant-garde architecture in unique locations

Insula Properties was founded to create unrivaled sites. Ideal locations in which to build dreams. Because the perfect spot deserves unique, sustainable and timeless projects, where design
elevates the living experience to a lifestyle. Distinguished residential houses in privileged sittings, an investment for the future.

Equipo Ínsula Properties 

With the aim of fostering state-of-the-art architecture in unique locations, Pro.ces (founded by Udo Fuhrmann and Dennis Isenburg), and Jose Barea Arquitectos join forces to launch Insula
Properties, thus combining the extensive experience of a developer and consultant on international projects and the vision of an architecture studio based on brilliance and excellence.

Pro.ces GmbH, based in Emdem (Germany), has long been developing construction projects. For various construction projects, pro.ces GmbH can rely on a broad partner network as well as
many years of experience in the construction industry. Experience that is transferred to the construction projects carried out, be it in residential and commercial construction, in the elderly
care sector, or listed buildings. This allows projects to be carried out reliably, on time and with a high architectural and construction quality.

On the other hand, Jose Barea Arquitectos, integrates a team of professionals connected by a common goal: to create spaces in which to enhance quality of life and to inspire other architects
and generations. Every architectural concept is studied and refined repeatedly, driven by the desire to generate buildings that are as functionally efficient as visually stunning.

Innovative designs with natural stones at Casa Decor 2022

Marble, granite and quartzite are materials chosen by a good number of professionals at Casa Decor 2022 to give a unique touch to their spaces. Capable of transforming any room in the house into a personal and stylish environment, natural stones have become an essential material in the world of interior design, not only for covering floors and walls or making countertops, but also for shaping pieces with great personality and beauty.

This year, moreover, committed to the #CasaDecorSustainable campaign,  initiated at  Casa Decor 2020  to promote sustainability, the majority of participating companies are taking part in the Exhibition with a wide range of products produced with organic, renewable, recyclable and biodisposable raw materials, as well as as with recycled materials, without losing its decorative appeal. Here we present some of the designs that are setting trends.

MarbleSpain, warmth and beauty

A multitude of projects in collaboration with hundreds of architects, interior designers and decorators have made the members of Stone Capture by Marmolspain, infallible  “advisors in natural stone” . In this edition of Casa Decor, several participating professionals have found in the stones of this Spanish firm an excellent point of support to give that special touch in the decoration of their spaces.

The Casa Decor “New Eclipse” Auditorium , designed by Miriam Alía for the Technogym firm, was born with the idea of ​​projecting a different sensitivity and returning to essential and intrinsic needs: the energy of the sun and our well-being. To achieve that tranquility in the space, the designer has chosen a palette of warm tones among her materials, so the Miele Onyx from MarmolSpain used in the presentation table makes this a very special piece in keeping with the tones of the space.

For the firm Ron Matusalem on its 150th anniversary, Marta Sánchez Zornoza has created a sensory project that takes us to the Caribbean. In this space, the natural stone of MarmolSpain has become the main element, chosen by the decorator in shades of tan, green and white that evoke liquor, the sea and light. Using the Ungravity Sistem cutting technique , a system that allows thicknesses of between 6 and 12 mm to be obtained, reducing the weight of the stone for its application on walls and furniture, with the Purple Vulcano and Red Onyx models, the bench, tasting tables and the walls and ceiling. While, the Pakistan Green Onyx and the backlit White Onyx , shine on the bottle racks and the counter, respectively.

Cupa Stone, sustainable and ecological

For Cupa Stone, Casa Decor 2022 will be its fifth consecutive participation. As in previous editions, the materials of this expert company in natural stone is present with its products that, based on a noble and ecological material such as natural stone, have become benchmarks in the broad sector of interior design. This year, the brand shows unique and innovative materials from its catalog in two Exhibition Spaces.

The interior designers Meritxell Ribé and Josep Puigdoménech, creative directors at  The Room Studio,  have created a multipurpose space  that can perfectly be located in  a hotel hall,   in a  private home  or in a  public place. This multipurpose space creates a perfect balance between the modernity of its design and the elegance of the Cupa Stone natural stone. From the Calacatta Viola of the countertop, through the floor in Caliza Blanco Paloma, to the wall in Caliza Campaspero, natural stone helps to create a unique and aesthetically matchless space.

The Bang & Olufsen “Home Cinema” Space, designed by Cristina Remírez and Jerome Le Fouillé of Disak Studio , is inspired by the exclusivity of details, like the interior of a high-end car, where the fusion between noble materials , such as leather, wood and natural stone, among others, reflect quality and comfort”. The timeless, sophisticated and elegant style of the space can be seen in the countertop of the wine cellar, made of Iron Red granite in a spectacular shade of red with black and white veining.

Marble Sun, dreamlike textures

Fran Casinello , at the head of the Mandalay studio, has designed the Flamme Rouge suite, which is pure emotion. Without following any trend, they offer us an impressive, daring and timeless space, full of pure lines contrasted with very powerful organic touches. At the back of the space, a  daytime bathroom area has been created, in which a pair of Indra Onix washbasins have been placed, from the exclusive Infinity series in a Mirror finish,superimposed on the back, also in onyx. Its pattern of lights and shadows, the result of its translucent composition, make this material the cornerstone of the design. The pure and crystalline white of this backlit onyx, with an almost dreamlike texture, provides a touch of elegance and distinction to the space.

Cristina Espejo and Marta Goyanes have created a large bathroom designed as a space to spend many moments dedicated to our physical and emotional well-being. In the washbasin area, a piece of furniture designed for Strohm has been placed, in matte nickel-effect sheet metal and a stone countertop, by Mármoles Sol, which contrasts with the dark wood niches.

Levantina, large format natural stone

For more than a decade Levantina has been making its exclusive products available to the professionals who participate in Casa Decor to help them create unique, welcoming and impressive settings. Floors, walls, countertops, tables and decorative objects made with natural stone and the large-format Techlam porcelain tile.

In the COAATM space  The technical architect and the art of dissecting,  César Ávila Rodríguez , from CA Interiorismo, has created a calm bathroom with great visual power that allows one to see the artisanal and manual part of the various layers of the construction process. In this space,  Levantina has been responsible for covering the bathroom with an elegant floor and a wide skirting board in Staccato natural stone , one of Naturamia’s new proposals,  whose veins and patterns offer a prominent presence in the space.

The Bao Proyectos team has been in charge of creating the Oplontis kitchen for the firm Asko, an elegant and minimalist space, in which the central island stands out, for which the Syrah countertop , from the Naturamia collection , has been chosen. Gray, brown, ocher and reddish tones give life to the oxidized and industrial aesthetic characteristic of this quartzite that combines the typical colors of corten steel with the beauty of a rocky and natural landscape, merging with the space in perfect harmony.

« Living the future », the space created by  Simona Garufi for the Thermomix firm  , is a living room with a futuristic kitchen, which looks like the interior of a spaceship. To cover the floor of this futuristic environment, the interior designer has chosen the luminous and timeless  Crystallo, which recalls the delicate appearance of marble. It is a Techlam porcelain tile with a white surface traversed by imperfect and delicate curved lines, which transports the visitor to the surface of a planet.

Nasrid spaces, elegance and naturalness

This firm from Granada stands out for working with materials as was done in past centuries, according to ancient craft techniques, with which it manages to capture the beauty and showiness of materials from other times. It is also a form of ecological construction, with walls, floors and ceilings that breathe freely, in harmony with the environment, free of plastics and polluting chemical agents.

A marvelous Mediterranean limestone floor extends throughout the Technogym Space, designed by Miriam Alía. It is an asymmetrical exploded view, in perfect harmony with the marked deconstructivist trend that Miriam Alía has imagined in the design process of the Casa Decor 2002 Auditorium.

“InspiraciOHM 180º” is the space that Strohm Teka presents at Casa Decor 2022, by the interior design studio Espejo & Goyanes. The vaulted area for the shower moment has a spectacular geometric floor with limestone cutting, produced by Espacios Nazaríes, which is completed with a handmade skirting board with an old “Rojo Torcal” marble.

Cuellar Stone, natural stone in 3D

This leading company in 3D stone projects and products comes to Casa Decor for the first time to show the infinite possibilities that natural stone and compact surfaces offer in the world of interior design. Its innovative application in furniture, organic murals and design elements is raising great expectations among visitors to our Exhibition.

“A dream experience”, is the hotel suite designed by Estudio   Muher as a corner of experiences through sensations, twists and textures found in nature. In the bathroom area, the shower made entirely of white Macael marble stands out, showing its different applications and textures. This material has been used both for the cladding, in a honed finish, and for the shower tray, in a sandblasted finish. Also in the cladding, a decorative relief in the form of a flower stands out, giving the space uniqueness and exclusivity.

​With the modular and versatile furniture from the firm Tegar Mobel, the Madrid interior designer Jose Lara recreates ” Tegar Urban Stay “, a complete apartment in just  24 m2. Looking for design and functionality, on the wall facing the social area of ​​the apartment stands out a textured limestone cladding that houses the television, providing elegance and practicality to the environment.

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Miapetra, convex sinks

With its unique and unrepeatable designs, this Segovian firm, which is characterized by the innovation of its sinks made of natural stone, has been part of our Exhibition since the Casa Decor 2019 edition.

At Casa Decor 2022, he collaborates on the public toilets on the ground floor, “A roman bath” designed by Somos2Studio. Its new De he ZYL Convex models preside over the washbasin area, with a unique design characterized by its simple and elegant lines, which does not go unnoticed by visitors to the Exhibition. With this new model, the relationship of respect and care for nature as well as for the traditions and craftsmanship that characterize this firm are reflected even more intensely, if possible.

2023 is coming and Boca do Lobo bring you unique New Arrivals for this amazing year. Our brand is always up to date on new trends and, of course, new products. Discover these 7 new luxury furniture designs perfect for Dubai’s Lifestyle, and get ready to feel inspired to redecorate any room in your house with a piece that stands out!

NEW ARRIVALS in Luxury Furniture for 2023

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

Fortuna is a contemporary dining table with a one-of-a-kind design aesthetic and refined statement to the most influential minds.

FORTUNA ROUND DINING TABLE

Representing the essence of empowerment, sophistication, and mystics, the Fortuna features an exclusive polished brass patina surface for ground-breaking dining rooms.

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

With a one-of-a-kind design aesthetic and refined statement to the most influential minds, the Fortuna is a contemporary center table fit for any luxurious setting.

FORTUNA PATINA CENTER TABLE

Representing the essence of empowerment, sophistication, and mystics, the Fortuna features an exclusive gold brass surface for extravagant spaces.

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

The Empire is a sublime console built in marble with polished brass details. Its cracks are hand-carved and inserted through polished brass sheets, which are hand-hammered for a unique finish. Designed to make an impression, this luxury furniture piece is a unique masterpiece that will fit perfectly in your exclusive entryways or hallways and empowering spaces.

EMPIRE CONSOLE

A refined statement piece made for those with refined minds and tastes.

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

See also: 7 Luxury Mirrors for Dubai: A Curated Selection
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

The Pietra console plays with function and sculptural form to create a timeless design experience through its classical greek aura and the finest marble.

PIETRA CARRARA CONSOLE

A reminder of the renaissance era, its top gently lies in two unique and sturdy marble columns that are conceived from a solid block that is then hand-sculpted.

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

A noble luxury furniture piece carved in Boca do Lobo workshops that are ideal for a grand entryway, a regal hallway or other open and opulent settings.

PIETRA NERO MARQUINA CONSOLE

This Pietra console is effortlessly stylish and it’s suitable for those looking for a contemporary piece with a Hellenic revival style.

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

The Newton center table is an outstanding moment of inspiration. A luxury furniture piece created in order to fulfil the needs of our clients that are looking for the most unexpected and the most extravagant in contemporary furniture design.

NEWTON CENTER TABLE

A strong design piece with luxurious details, made from high-quality materials.

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023

With order being the pleasure of the reason, the disorder is the delight of emotions. What seems confused and cluttered can, in a glance, acquire a new meaning capable of inspiring and charming us. The Glance Mirror tells a story about the crossroads of life and the reason for the chaos.

GLANCE MIRROR

The unique beauty of this luxury furniture design comes from daring to risk and challenge conventional design through the finest craftsmanship.

Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Which One Of These New Arrivals in Luxury Furniture Do You Prefer?
See also: 7 Luxury Mirrors for Dubai: A Curated Selection
Discover Boca do Lobo's New Arrivals in Luxury Furniture For 2023
Interview with Cecilie Manz

Interview with Cecilie Manz

Sheer coziness for that feel-good factor in the bathroom

Since the introduction of the Luv series, Nordic style has become a firm fixture in the bathroom. Danish designer Cecilie Manz’s minimalist design language invokes the Scandinavian concept of living for a brand-new sense of wellbeing. Carefully conceived materials that also appeal to the sense of touch emphasise the gentle forms and strict geometry. Perfectly harmonized color combinations round off the overall picture.

What emotion do you associate with the bathroom range Luv that you designed for Duravit?

For me, Luv is about sheer coziness for the perfect feel-good factor – natural, uncomplicated, and unobtrusive.

What’s most important to you in a bathroom?

The bathroom is one of the most intimate rooms and what matters to me are qualities like “clean, “functional”, and “comfortable”.  Everything should be hygienic and low-maintenance, it should work well and at the same time I want the materials, colors, and the overall ambience to exude a sense of wellbeing. In the bathroom I enjoy my “every day spa moment”.

The colors and surfaces that you’ve selected for the bathroom series Luv radiate natural warmth while simultaneously managing to appear contemporary. Where do you get your inspiration?

In the bathroom you often find cool and clear colors. Because Luv has a very pure design, it was important for me to create a cozy and welcoming component using subtle, natural tones. I often find inspiration for colors in nature – I always have a couple of pebbles in my bag.

What were the biggest challenges for you in designing furnishings for the bathroom?

I’m not sure if it makes such a big difference whether you’re designing a piece of furniture for the bathroom, the living room, or the kitchen. The design process involves the same approach and we go through the same mechanisms. At the same time, you have a greater responsibility to a certain extent: for me it feels as though each individual object that I design in the bathroom is tailor-made for the specific person buying it. That might be because each object in this room is so important. For instance, you might have various chairs in your home and can choose which one to use at any given time. You arrange your home how you want and are constantly moving things around. That’s not so easy in the bathroom. That’s why I also think that people’s decisions are a lot more conscious when selecting bathroom furniture.

Do you believe that people’s wishes in terms of bathroom furniture are changing?

It seems that bathrooms are constantly getting bigger. On the other side there is also a need for tiny, highly efficient bathrooms. In any case we expect the level of comfort enjoyed in the rest of the home to be part of bathroom, too: more warm colors, natural materials, coziness alongside inventive solutions for keeping it clean and using less water.

Duravit AG
Founded in 1817 in Hornberg in the Black Forest, Duravit AG is today a leading international manufacturer of designer bathrooms. The company is active in more than 130 countries worldwide and stands for innovation in the fields of signature design, comfort-enhancing technology and premium quality. In cooperation with an international network of high-profile designers

such as Philippe Starck, sieger design, Christian Werner, Cecilie Manz and young talents such as Bertrand Lejoly and Kurt Merki Jr., the company develops unique bathrooms that enhance quality of life for users on a sustained basis. Duravit’s product portfolio comprises sanitary ceramics, bathroom furniture, bathtubs and shower trays, wellness systems, shower-toilets, tap fittings and accessories as well as installation systems.

         

DAYTONA SP3: THE NEW ‘ICONA’ INSPIRED BY THE LEGENDARY VICTORIES OF MARANELLO’S SPORTS PROTOTYPES

• The new Ferrari Icona was unveiled today flanking the Ferrari Monza SP1 and SP2
• This limited-edition targa takes its inspiration from legendary 1960s Sports Prototypes
• The launch took place at the Mugello Circuit as part of the 2021 Ferrari Finali Mondiali

Scarperia e San Piero, 20 November 2021 – On February 6th 1967, Ferrari pulled off one of the most spectacular feats in its entire history when it took the top three places at the 24 Hours of Daytona in the first round of that year’s International World Sports Car Championship. The three cars that shot past the chequered flag in that legendary side-by-side finish on Ford’s home turf – in first place a 330 P3/4, in second a 330 P4 and in third a 412 P – represented the pinnacle of development of the Ferrari 330 P3, a model that chief engineer Mauro Forghieri had significantly improved in each of the three racing car fundamentals: engine, chassis and aerodynamics. The 330 P3/4 perfectly encapsulated the spirit of the sports prototypes of the 1960s, a decade now considered the golden era of closed wheel racing and an enduring reference point for generations of engineers and designers.

The name of the new Icona evokes that legendary 1-2-3 finish and pays homage to the Ferrari sports prototypes that helped earn the marque its unparalleled motor sport status. The Daytona SP3, presented today at the Mugello Circuit during the 2021 Ferrari Finali Mondiali, is a limited edition that joins the Icona series which debuted in 2018 with the Ferrari Monza SP1 and SP2.

The Daytona SP3’s design is a harmonious interplay of contrasts, sublimely sculptural, voluptuous surfaces alternating with the kind of sharper lines that revealed the burgeoning importance of aerodynamics in the design of racers such as the 330 P4, 350 Can-Am and 512 S. The bold choice of a ‘Targa’ body with a removable hard top was also inspired by the sports prototype world: consequently, the Daytona SP3 not only delivers exhilarating driving pleasure but also usable performance.

From a technical perspective, the Daytona SP3 takes its inspiration from the sophisticated engineering solutions already adopted in racing the 1960s: today as back then, maximum performance was achieved by working on the aforementioned three fundamental areas.

The Daytona SP3 sports a naturally-aspirated V12, mid-rear-mounted in typical racing car style. Undisputedly the most iconic of all Maranello’s engines, this power unit delivers 840 cv – making it the most powerful engine ever built by Ferrari – along with 697 Nm of torque and maximum revs of 9500 rpm.

The chassis is built entirely from composite materials using Formula 1 technologies that have not been seen in a road car since the LaFerrari, Maranello’s last supercar. The seat is an integral part of the chassis to reduce weight and guarantee the driver a driving position similar to that of a competition car.

Lastly, just like the cars that inspired it, the aerodynamic research and design focused on achieving maximum efficiency purely using passive aero solutions. Thanks to unprecedented features, such as chimneys that extract low-pressure air from the underbody, the Daytona SP3 is the most aerodynamically efficient car ever built by Ferrari without resorting to active aero devices. Because of the clever integration of these technical innovations, the car can accelerate from zero to 100km/h in 2.85s and from zero to 200km/h in just 7.4s: exhilarating performance, an extreme set-up, and the intoxicating V12 soundtrack deliver completely unparalleled driving pleasure.

STYLING

Although inspired by the stylistic language of 1960s racing cars, the Daytona SP3 is clothed in very undeniably original, modern forms. Its sculptural power celebrates and interprets the sensual volumes of sports prototypes to wholly contemporary effect. It goes without saying that a design this ambitious demanded a meticulously planned and executed strategy from Chief Design Officer Flavio Manzoni and his Styling Centre team.

 

EXTERIOR

From the wraparound windscreen back, the Daytona SP3’s cabin looks like a dome set into a sensual sculpture with sinuous wings emerging boldly either side. The car’s overall balance is underscored by monolithic volumes that are a powerful articulation of the long-appreciated skills of Italian coachbuilding at its finest. The fluidity of its masses melds effortlessly with sharper surfaces, to produce the sense of effortless aesthetic balance that has long been a signature of Maranello’s design history.

The clean double-crested front wings are a nod to the sculptural elegance of past Ferrari sports prototypes of the likes of the 512 S, 712 Can-Am and 312 P. The shape of the wheelarches efficiently connotes the geometry of the flanks. At the front, they are structural and create a powerful link between wheel and well by not completely following the circular profile of the tyre. The rear flank swells out from the sylph-like waist giving rise to a powerful rear muscle that wraps around the front of the wheels, then tapers back towards the tail, lending a powerful dynamism to the three-quarter view.

Another key element is the butterfly doors, which have an air box integrated into them to channel air to the side-mounted radiators; the resulting sculptural forms give the doors a pronounced shoulder housing the air intake that is visually linked to the vertical cut of the windscreen. The pronounced surface of the doors, whose leading edge forms the rear of the front wheelarch, also helps to manage the airflow emerging from the front wheels. This surface treatment also closely recalls that of cars such as the 512 S which partly inspired the Daytona SP3’s stylistic code.

The wing mirrors have been moved ahead of the doors to the top of the wings, recalling again the sports prototypes of the 1960s. The position was chosen to provide better visibility and reduce the impact of the wing mirrors on the air flow to the door intakes. The shape of the mirror’s cover and the stem were perfected via dedicated CFD simulations to ensure an uninterrupted flow to the intakes.

That said, the three-quarter rear view of the car is even more significant as it fully reveals the Daytona SP3’s original styling. The door is a sculpted volume, which generates a pronounced dihedral form. Together with the powerful muscle of the rear wing, it creates a completely new, pinched-waist look. The door acts to extend the surface of the front wheelarch and counterbalances the imposing rear, visually transposing the volume of the flank and lending the car a more cab-forward look. The location of the side radiators allowed this architecture to be adapted to suit a sports car.

The front of the Daytona SP3 is dominated by two imposing wings that feature outer and inner crests: the latter dive into two air vents on the bonnet, making the wings look wider. The relationship between the perceived mass created by the outer crest and the aerodynamic role of the inner one underscores the way in which styling and technology are inextricably linked in this car. The front bumper has a generous central grille framed by two pillars and a series of stacked horizontal blades framed by the outer edge of the bumper. The headlight assemblies are characterised by an upper mobile panel that recalls the pop-up headlights of early supercars, a theme dear to Ferrari tradition that lends the car an aggressive, minimalist look. Two bumperettes, a reference to the aeroflicks featured on the 330 P4 and other sports prototypes, emerge from the outer edge of the headlights, adding a further expressiveness to the front of the car.

The rear bodywork highlights the powerful appearance of the wing by the repetition of the twin-crest theme and the aerodynamic vent that boosts its three-dimensional volume. The compact, tapered cockpit combines with the wings to create a powerful tail with a central backbone element inspired by the 330 P4. The naturally-aspirated V12, the living beating heart of the new Ferrari Icona, is revealed in all its glory at the end of this backbone.

A series of horizontal blades complete the rear, creating the impression of a light, radical, structured monolithic volume that lends the Daytona SP3 a look that is both futuristic and a nod to signatures from Ferrari’s DNA. The taillight assemblies are made up of a horizontal luminous bar beneath the spoiler and integrated into the first line of blades. The twin tailpipes are positioned centrally in the upper part of the diffuser, adding to its aggressive character and completing a design that visually broadens the car.

INTERIOR

Even the Daytona SP3’s cockpit takes its inspiration from historic Ferraris such as the 330 P3/4, the 312 P and the 350 Can-Am. Starting with an idea of a high-performance chassis, the designers crafted a meticulously refined space that delivers the comfort and sophistication of a modern Grand Tourer whilst keeping the styling language quite minimalist. It retains the philosophy behind certain styling codes: the dash, for instance, is minimalist and functional yet also entirely contemporary in feel. The typical upholstered cushions that were directly attached to the chassis on sports prototypes have been transformed into modern seats integrated into the body, creating a seamless textural continuity with the surrounding trim.

Several exterior elements, including the windscreen, positively influenced the interior architecture. Seen from the side, the cut of the windscreen header rail creates a vertical plane that divides the cockpit in two, separating the functional area of the dashboard that hosts the instrumentation from the seating. This architecture neatly executes the difficult feat of being both extremely sporty and very elegant at the same time.

The Daytona SP3’s interior aims to guarantee both driver and passenger a snug driving environment by drawing on styling cues typical of competition cars. The main idea was to broaden the cabin visually by creating a clear break between the dash area and the two seats. The latter, in fact, are part of a seamless textural continuity, their trim extending all the way to the doors, reproducing the elegant functionality typical of sports prototypes. This same extension of the trim can also be seen on the sill area when the doors are open.

The dashboard follows the same philosophy: here the Daytona SP3’s structure means that the trim extends all the way to the quarterlights, hugging the entire area connecting with the windscreen. The slender, taut dashboard seems almost to float within the upholstery. Its styling theme develops on two levels: the upper trimmed shell, which has a clean, sculptural look, is separated from the lower one with a clear textural and functional dividing line. All of the Human-Machine Interface (HMI) touch controls are clustered below this line.

The seats are integrated into the chassis and thus have the ergonomic wraparound design typical of high-performance cars, but also the kind of meticulous detailing that sets them apart. The textural connection between the seats and the extension of the theme to the adjacent trimmed areas, as well as certain volumetric effects, were possible because they are fixed, while the driver’s adjustments are taken care of by an adjustable pedal box. The clear break between the technical area of the cockpit and the occupant area also allowed the seat volume to be extended all the way to the floor. Even the headrests reference their competition counterparts, but while in the latter they are integrated into single-piece seats, in the Daytona SP3 they are independent. The fixed seat and adjustable pedal box architecture meant they could be anchored to the rear trim, thus also helping to visually lighten the cockpit.

The door panel design also helps to visually widen the cockpit. Some trimmed areas have been added to the carbon-fibre panels: leather padding on the door panel at shoulder height strengthens the connection with sports prototypes and further accentuates the wraparound effect. Lower down, however, the surfaces feel like an extension of the seat itself. The tunnel has a signature blade set beneath the connecting trim between the seats, with its functional elements at its extremities. In its front section is the gearshift gate reintroduced to the range on the SF90 Stradale. Here, however, it is raised and feels almost suspended over the volumes around it. The structure ends in a carbon-fibre central pillar that seems to support the entire dash.

 

POWERTRAIN

To give the Daytona SP3 the most exhilarating V12 on the market, Ferrari chose the 812 Competizione’s engine as its starting point, but relocated it to the mid-rear position to optimise the intake and exhaust layout as well as fluid-dynamic efficiency. The result is that the F140HC engine is the most powerful internal combustion engine ever built by Ferrari and deliver a massive 840 cv with the typical exhilarating power and sound of a Prancing Horse V12.

The engine has a 65° vee between its cylinder banks and retains the 6.5-litre capacity of its predecessor, the F140HB, sported by the 812 Competizione from which it inherits its upgrades. All the developments enhance the performance of a powertrain that sets the new benchmark for its category thanks to its astonishing soundtrack – obtained through targeted work on both the intake and exhaust lines – and the 7-speed gearbox, which is now even faster and more satisfying than ever thanks to the development of specific strategies.

Maximum revs of 9,500 rpm and a torque curve that rises rapidly all the way up to maximum revs gives occupants the feeling of boundless power and acceleration. Particular attention was lavished on reducing the engine’s weight and inertia by adopting titanium con rods, which are 40% lighter than steel, and the use of a different material for the pistons. The new piston pins have a Diamond Like Carbon treatment (DLC), which reduces the coefficient of friction to improve performance and fuel consumption. The crankshaft has been rebalanced and is now also now 3% lighter.

Valve opening and closing is by way of sliding finger followers, derived from F1 and developed with the aim of reducing mass and availing of more high performance valve profiles. The sliding finger followers also feature DLC coating and their function is to transmit the action of the cam (again with DLC coating) to the valve using a hydraulic tappet as the pivot for its movement.

The intake system has been radically redesigned: the manifold and the plenum are now more compact to reduce the overall length of the tracts and deliver power at high revs, while the torque curve is optimised at all engine speeds by a system of variable geometry inlet tracts. The system enables the length of the intake tract assembly to be continuously varied, adapting it to the engine firing intervals to maximise the dynamic charge in the cylinder. A dedicated hydraulic system governs the actuators and is controlled by the ECU in a closed loop, adjusting the inlet tracts’ length position on the basis of the engine’s load.

Combined with optimised cam profiles, the variable valve timing system creates an unprecedented system of equal height pressure peaks required to obtain power at high revs without sacrificing any torque at low and medium revs. The result is a feeling of continuous, rapid acceleration, culminating in astonishing power at maximum revs.

The management strategies for the gasoline direct injection system (GDI at 350 bar) have been further developed: it now comprises two petrol pumps, four rails with pressure sensors that provide feedback to the closed loop pressure control system and electronic injectors. Calibration of the timing and amount of fuel injected at each injection, in addition to an increase in injection pressure, have made it possible to reduce polluting emissions and particulate formation by 30% (WLTC cycle) compared to the 812 Superfast.

The ignition system is constantly monitored by the ECU (ION 3.1) which has an ion-sensing system that measures ionising currents to control ignition timing. It also has a single and a multi-spark function for when multiple ignitions of the air-fuel mixture are required for smooth, clean power delivery. The ECU also controls combustion in the chamber to ensure that the engine is always working at peak thermodynamic efficiency conditions, thanks to a sophisticated strategy that recognises the octane rating of the fuel in the tank.

A completely new variable-displacement oil pump was developed to allow oil pressure to be continuously controlled right across the engine’s entire operating range. A solenoid valve, controlled by the engine ECU in a closed loop, is used to control the pump’s displacement in terms of flow and pressure, delivering only the amount of oil required to guarantee the functioning and reliability of the engine at every point in its functioning. Importantly, in order to reduce friction and improve mechanical performance, a less viscous engine oil than in the previous V12 is being used, and the entire oil scavenge line has been made more permeable to make it more efficient.

ARCHITECTURE

To ensure that Daytona SP3 drivers feel entirely at one with their car, its engineering draws heavily on the ergonomics expertise Maranello has developed in Formula 1. The fact that the seats are integrated into the chassis means that the driving position is lower and more reclined than in the other Ferraris in the range. In fact, the position is very similar to that of a single-seater. This helped reduce weight and keep the car’s height to 1142 mm, which in turn reduces drag. The adjustable pedal box means each driver can find the most comfortable position.

The Daytona SP3’s steering wheel features the same Human-Machine Interface (HMI) already seen on the SF90 Stradale, Ferrari Roma, SF90 Spider and 296 GTB, continuing the Ferrari “hands on the wheel, eyes on the road” philosophy. Touch controls mean that drivers can control 80% of the Daytona SP3’s functions without moving their hands, while a 16” curved HD screen relays instantly all driving-related information.

Both the Daytona SP3’s chassis and bodyshell are made entirely from composite materials, a technology derived directly from Formula 1 that delivers excellent weight and structural rigidity/weight ratio. In order to reduce the car’s weight to an absolute minimum, lower the centre of gravity and guarantee compact architecture, several components, such as the seat structure, were integrated into the chassis.

Aeronautical composites were used, including T800 carbon-fibre for the tub which was hand-laid up to guarantee the correct amount of fibre for each area. T1000 carbon-fibre was used in the doors and sills, and is essential to cockpit protection as its characteristics make it ideal for side impacts. Kevlar® was also used for areas which are most subject to impact, thanks to its resistance characteristics. Autoclave curing techniques mirrors that of Formula 1, taking place in two phases, at 130° C and 150° C, with the components vacuum-bagged to eliminate any lamination defects.

A specific tyre was developed with Pirelli for the Daytona SP3: the new P Zero Corsa was optimised for both dry and wet performance with a particular focus on the car’s stability in low grip situations. The new Icona is also equipped with the latest version of Ferrari’s SSC – 6.1 – which, for the first time on a mid-rear-engined V12, includes the FDE (Ferrari Dynamic Enhancer) to increase cornering performance. This lateral dynamics control system acts on the brake pressure at the callipers to control the car’s yaw angle in on-the-limit driving and can be activated in ‘Race’ and ‘CT-Off’ modes on the Manettino.

The adoption of a mid-rear architecture and composite chassis also optimised weight distribution between the axles, concentrating the masses around the centre of gravity. These choices, combined with the work done on the engine, deliver record-breaking weight/power ratio and 0-100 km/h and 0-200 km/h acceleration figures.

AERODYNAMICS

The objective with the Daytona SP3 was to introduce aerodynamic solutions that would make this the Ferrari with the highest level of passive aero efficiency ever. This required painstaking attention to detail when designing the radiating masses for efficient heat dissipation. Management of hot air flows was thus vital to defining a layout that was as integrated as possible with the overall aerodynamic concept.

The increase in the F140HC’s engine power output meant a corresponding increase in the thermal power that had to be dissipated and thus an increase in the radiating masses for the coolant. To allow for the aerodynamics solutions required for the front end meant concentrating development on cooling efficiency first and foremost. Thus detailed work went into the design of the fan housing, the opening on the underbody to evacuate hot air and the intake duct which were all optimised to avoid having to increase the size of the front radiators.

Considerable research went into the design of the flanks which benefitted from the layout of the radiating masses for gearbox and engine oil being shifted towards the centre of the car. This solution  paved the way for the integration of side channels into the doors, allowing the intake ducts for the radiators to be moved forwards in the chassis. As a result, the front wing creates an ideal section for the intake ducts and captures fresh air that is also highly efficient in terms of cooling the radiators.

The high level of integration of aerodynamic functions into the design is demonstrated by the engine cover, which features a central backbone structure to channel fresh air into the engine intake as well as provide outlets to vent hot air from the engine bay. The engine air intake is at the base of the backbone design to shorten the distance to the air filter and minimise losses. The longitudinal slots that separate the backbone section from the single-piece rear bodywork dissipate engine heat and capture fresh air thanks to their interaction with the vents located between the blades on the rear bumper.

The layout adopted for thermal management created areas that the aerodynamics team could thus exploit to maximise overall efficiency. This was achieved by focussing on perfecting the integration between volumes and surfaces and by the introduction of new concepts for the underbody that function in in synergy with the upper body without needing to resort to active aero solutions.

The front of the Daytona SP3 is a strikingly harmonious melding of form and function. Either side of the central radiator grille are intakes to the brakes ducts and to the channels that vent through the outlets either side of the bonnet to create a blown duct that contributes to front downforce generation. Below the headlights are two aero flicks which increase downforce. The vertically stacked winglets inside the corners of the bumper guide the airflow into the wheelarch, creating an inwash that reduces drag by realigning the flow along the flanks and contains the turbulence generated by the wheel wake.

The blown geometry of the front bumpers is not the only element that manages the flow over the flanks to reduce drag. The spoke profiles of the wheels also contribute, as does the vertical design of the flank itself. The former increase the extraction of air from the wheel well and realign the wake with the flow along the flanks. The ample surface area of the latter acts as a barge board to keep the front wheel wake close to the surface and reduce the transverse size of the wake and thus drag. The barge board design also hides a genuine aero channel from the front wheel well that vents ahead of the rear wheel. This solution helps extract more floor performance to the benefit of both downforce and drag.

The developments on the underbody were designed to boost the entire floor performance, with the introduction of a series of devices dedicated to generating localised vorticity. Importantly, lowering the height of the underbody meant moving the peak suction closer to the road surface, boosting the efficiency of the devices that exploit ground effect. Two pairs of curved profiles ahead of the front wheels exploit their relative angle to the air flow to generate powerful yet stable vortices which interact with the underbody and the front wheels to develop downforce and reduce drag.

Other vortex generators were optimised and positioned in order to virtually seal the front underbody. The outer vortex generator is installed right on the edge of the chassis on the inner wheelarch aperture and has the same effect as a Formula 1 barge board: the vorticity created shields the underbody from the effect of the wake of the front wheel, thereby reducing interference with the more efficient flow created by the central section of the floor.

The most important development area for downforce was the rear spoiler. To correctly balance front and rear downforce the engineers fully exploited the opportunity created by the repositioned engine air intake and the new rear taillight design. These two solutions meant that the spoiler could be extended to occupy the entire width of the car. Its surface was not only increased in width, but the lip was also lengthened towards the rear which helped increase the downforce without penalising drag.

The most innovative solution, as well a defining characteristic of the car, can be found at the rear of the underbody: floor chimneys are connected to two integrated louvres in the rear wings by vertical ducts. The natural suction created by the curvature of the wings maximises air flow through the ducts and creates a fluid-dynamic connection between flows over the underbody and the upper bodywork. This feature brings three direct benefits: firstly, it reduces the blockage of the underbody by increasing the flow under the front underbody, increasing downforce and shifting the aero balance forwards to improve turn-in. Secondly, the increase in local acceleration of the flow created by the geometry of the intakes on the floor generates a very strong suction which improves rear downforce. Lastly, the rear spoiler also benefits from the additional flow coming from the louvres on the rear wing.

The final area of development was to increase the diffuser’s expansion volume, both in the vertical and horizontal plane, thanks to installing the exhaust pipes in a high, central position. The space that was freed up centrally could thus be dedicated to a solution similar to a double diffuser. The diffuser in fact permits the expansion of the flow on two distinct levels and gives a strong connotation to the rear, creating a bridge shape that seems to float in the tail’s volume. The concept exploits the high energy from the central area of the flow to efficiently channel the air both inside and outside of the central ‘bridge’ structure. This means the flow that passes outside the central channel energises the one inside, boosting the efficiency of the diffuser as a whole.

The Daytona SP3 has a wraparound windscreen in which the glass extends all the way to the start of the removable hard top. A nolder is integrated into its upper seal to accurately direct the flow over the header rail when driving without the hard top. The middle of the roll hoop area dips to follow the shape of the rear bodywork buttresses and the engine cover and thus minimises the possibility of the wake deflected towards the rear header rail tumbling back into the area between the seats. The airflow at the rear of the side windows is channelled by the rear trim behind the headrests towards a centrally recessed slot protected by the windstop so that it is vented outside the cockpit.

FERRARI ICONA

The Ferrari Icona series was launched in 2018 with the Ferrari Monza SP1 and SP2, which were inspired by the competition barchettas of the 1950s that helped earn the marque its legendary status in motorsport with a string of prestigious victories. The Icona series celebrates Ferrari history by reinterpreting the timeless styling of the marque’s most iconic cars to radically modern effect using the most innovative materials and technologies available today.

The idea of taking inspiration from a particular time in history, which lies at the core of the Icona concept, goes much further than merely reusing styling cues from the past. Rather the aim is to distil the very essence of an era and using it as a spring board to create new concepts that themselves are unique enough to become icons for future generations. The Icona cars all boast exclusive solutions not seen in the rest of the range and are aimed solely at Ferrari’s top clients and collectors, proud ambassadors for the Prancing Horse marque.

7-YEARS MAINTENANCE

Ferrari’s unparalleled quality standards and increasing focus on client service underpin the extended seven-year maintenance programme offered with the Daytona SP3. Available across the entire range, the latter covers all regular maintenance for the first seven years of the car’s life. This scheduled maintenance programme for Ferraris is an exclusive service that allows clients the certainty that their car is being kept at peak performance and safety over the years. This very special service is also available to owners of pre-owned Ferraris.

The main advantages of the Genuine Maintenance programme are regular scheduled maintenance (at intervals of either 20,000 km or once a year with no mileage restrictions), original spares and meticulous checks by staff trained directly at the Ferrari Training Centre in Maranello using the most modern diagnostic tools. The service is available on all markets worldwide and from all Dealerships on the Official Dealership Network.

The Genuine Maintenance programme further extends the wide range of after-sales services offered by Ferrari to meet the needs of clients wishing to preserve the performance and excellence that are the signatures of all cars built in Maranello.

Daytona SP3 – TECHNICAL SPECIFICATIONS

POWERTRAIN

Type                                                                    V12 – 65°

Total displacement                                     6496 cc

Bore and stroke                                           94 mm x 78 mm

Max. power output*                                   618 kW (840 cv) at 9250 rpm

Max. torque*                                                   697 Nm at 7250 rpm

Max. revs                                                         9500 rpm

Compression ratio                                     13.6:1

DIMENSIONS AND WEIGHT

Length                                                              4686 mm

Width                                                                2050 mm

Height                                                                1142 mm

Wheelbase                                                     2651 mm

Front track                                                     1692 mm

Rear track                                                      1631 mm

Dry weight**                                                   1485 kg

Dry weight/power ratio **                     1.77 kg/cv

Weight distribution                                    44% front / 56% rear

Fuel tank                                                           86 litres

TYRES AND WHEELS

Front                                                                  265/30 ZR 20 J9.0

Rear                                                                    345/30 ZR 21 J12.5

BRAKES

Front                                                                  398 x 223 x 36 mm

Rear                                                                    380 x 253 x 34 mm

TRANSMISSION AND GEARBOX

F1 dual-clutch gearbox, seven speed

ELECTRONIC VEHICLE CONTROLS

ESC; high performance ABS e/EBD; F1-Trac; e-Diff 3.0; SCM-Frs; SSC (Side Slip Control) 6.1

PERFORMANCE

Maximum speed                                         >340 km/h

0-100 km/h                                                    2.85 s

0-200 km/h                                                    7.4 s

FUEL CONSUMPTION AND CO2EMISSIONS

Under homologation

* Engine power expressed in kW in line with International System of Units (SI) and in cv. With 98-octane petrol and including 5 cv of dynamic ram effect

** with optional lightweight content

CM-Studio-Paris-Co-Founder-Jonh-Coury-Gives-Exclusive-Interview-Unravelling-Magical-Interiors-1

Design Limited Edition had the opportunity and the privilege to talk with the amazing and talented Jonh Coury, the co-founder of CM Studio Paris. Together with Florent Maillard, the interior designers give life to timeless interiors, with a taste of French elegance. We had a chance to discover all the details behind his outstanding work, are you ready to find out?

Jonh Coury and Florent Maillard founders of CM Studio Paris.
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When asked about the studio’s main mission, CM Studio Paris‘s co-founder shared that the goal is “to magnify the life of their customers by designing for them timeless and magical interiors. We want them to feel comfortable in refined environments that will remain perennially fashionable.”

A Paris Apartment On Île De La Cité
A Paris Apartment On Île De La Cité

Currently working on new and exciting projects, in France, the UK, Croatia, Serbia, and so on, Jonh Coury believes in the importance of social networks, rising in recent years, as a way to promote their work, and to keep a relationship with their audience, that goes behind continents, until Brazil!

A Paris Duplex In Le Marais

We believe that people are getting really bored with minimalism and that there is a real new interest for “twisted classicism”! “Nothing is more modern than antiquity” used to say Karl Lagerfeld.

Jonh Coury

Timeless interiors that magnify existence through eclecticism and poetry.

CM Studio Paris

French elegance and refinement are probably the aspects that best characterize CM Studio Paris, and what their clients feel more attracted by. “Most of our customers this year are Foreign customers for whom we are renovating apartments in Paris but also big properties in the French countryside and abroad”.

MAISON SEMONVILLE
 MAISON SEMONVILLE 

When it comes to the importance of craftsmanship, and its quality, Jonh Coury believes it gives them a competitive advantage, explaining why foreign customers are starting to approach CM Studio Paris to realize projects outside of France.

A Paris Duplex In Le Marais

The wonder duo keeps standing out with the most ostentatious and bespoke settings in the interior design world. According to the interior designer, in terms of upcoming design trends, maximalism is the way to go. “We believe that Light, shining metals, natural materials, round shaped furniture, and maximalism will be more and more attractive in the years to come. And CM Studio Paris has a role in promoting those trends to a brand new category of customers.”

A Paris Duplex In Le Marais

All images – courtesy of CM Studio Paris

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This reading corner has a white round rug that matches the armchairs. The room has a neutral coloured theme with a few touches of gold.

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